Watermelon Canned Juice

He Will Take You(en)

A young woman spirals through depression allowing her own fears to succumb to her thoughts, and eventually her mind.

Scopaesthesia(en)

An extrasensory phenomenon of being watched.

ESP(ja)

Spoons and forks bend and these movements remind you of plants. They are unnatural movements but why can we easily accept them? "Supernatural power" is expressed as a "beauty", not with an occult point of view.

SUNDAY(en)

"CHO-JIN (bird man)" flies by flapping its arms in a light-coloured-scenery. CHO-JIN leads you to a mysterious feeling axis when they slowly stop on an electric wire with a nostalgic and strange taste.

Mona Lisa(ja)

An experimental short film from Toshio Matsumoto featuring Mona Lisa.

Don't Know Where Going(en)

A little animated conversation between Peter Millard and Reka Bucsi. We drew 250 frames each, than swapped frames. I animated on his sequence, and he did the same thing on mine. Without knowing where the other person was going, we animated straight ahead without a plan. The film was part of an exhibition we did together at Vienna Museumsquartier - ASIFAKEIL

Nocturne no.248(en)

An abstract animated short by Michael Theodore.

Trip!-Trap!(ja)

In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This experimental graduation film is a mixture of different animation techniques

The Moaning(eu)

An experimental film on the geographic and historical voyage of the peculiar sound of the so-called 'Basque ox carts'. Said sound, which could be heard until the decade of the 60s in part of the Bay of Biscay, has now practically disappeared from the Iberian peninsula. The film travels from the silence of the sound in our territory today, until its reappearance, following years of research, in the central area of Brazil.

Scope(ja)

This is no animation, it's one picture. Short experimental film by Mirai Mizue

Blend(ja)

This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.

New York Loft(en)

“Both NEW YORK LOFT and DOLL HOUSE convey a strong sense of resourcefulness, this ‘making something’ out of interiors, specifically domestic spaces. And domestic they are, in an avant-garde sort of way. The filmmaker gives plentiful evidence of arranging things, moving them, adjusting, placing and re-placing. First are poles and sticks found; second is fabric, sheets, pillows; in a third section we see round things. Circular magnets, machine parts, film cans and the like eventually become visually paralleled with the camera lens itself. The lens is seen as Barbara films into a round mirror. How different are the visions of this woman-with-a-movie-camera from Vertov of sixty years ago! Each extols the camera-eye, but Hammer replaces Vertov’s sociopolitical kino-truths with adventures in domestic space.” – Claudia Gorbman, Jump Cut

Portrait of a Clown(en)

A portrait of the performance artists in colorful clothes and painted faces whom have transitioned from a symbol for joy and laughter, to horror and terror, to melancholy and sadness.

In Loving Memory (of Who We Used to Be)(en)

Puberty, sibling rivalry, and school crushes make up the small world that 10-year-old Vicky lives in. But the memories of birthday cakes and carefree days begin to get muddled when persistent anxieties set in to haunt the past. The clutter, clash, and recollection of her mistakes, insecurities, and triumphs reconstruct the ever-changing phases of Vicky's tween life. A stranger to her own self, director Vicky Lee reflects on the naive girl that she once was.

As One(en)

In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.

Extracorpus(fr)

Anti-Objects, or Space Without Path or Boundary(en)

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

The Devil's Trap(en)

A 25-year-old former cult member seeks out his family in a closed world of neon crosses, deadly alcoholism, and abuse.

Third Page from the Sun(fr)

Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.

Films To Break Projectors(en)

‘Films to Break Projectors’ glues, scrapes and splices 35mm, 16mm and 8mm film to create unprojectable celluloid collages. Reanimating the material reveals the colour music within and traces of ambiguous narratives that emerge from the complex loops.