Gosia@Tomek
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This inspiring film sees Joanna Lumley travel around the UK following adventurer Sacha Dench as she takes to the skies with just her electric paramotor to attempt an epic journey around the British coast whilst raising awareness about climate change.
Create or Die(en)
In an industry that is becoming increasingly competitive, what drives indie filmmakers to keep creating their art, even when there is no promise of money or fame? CREATE OR DIE explores the insatiable passion to create despite the overwhelming odds through the lens of South Carolina writer and filmmaker David Axe, as he and his band of cast and crew head out into the backwoods of Georgia to shoot his low budget passion project ACORN. But when tragedy strikes on set, doubt and tension threaten to bring an end to their production and their dreams.
No Country For Young Men(it)
A retired bricklayer wants his grandson, who lives hundreds of miles away, to stay with him. Will he convince the young man despite the lack of opportunities in the country?
Dents Meadow: The Final Days of John Wilkes Booth(en)
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Sala de Roteiristas(pt)
What is the difference between a story and a good story? In this short documentary, ten of the greatest screenwriters in Brazil answer this and other questions, guiding us through the universe of creative writing and all its possibilities.
A Point of Return(en)
A short film portrays the events of a depressed man's day, culminating, presumably, in his suicide, though the ending is ambiguous. Afterwards, a roundtable of mental hygiene professionals and social workers examine the film, while discussing the phenomenon of suicide more broadly.
I Didn't See You There(en)
As a visibly disabled person, filmmaker Reid Davenport is often either the subject of an unwanted gaze — gawked at by strangers — or paradoxically rendered invisible, ignored or dismissed by society. The arrival of a circus tent just outside his apartment prompts him to consider the history and legacy of the freak show, in which individuals who were deemed atypical were put on display for the amusement and shock of a paying public. Contemplating how this relates to his own filmmaking practice, which explicitly foregrounds disability, Davenport sets out to make a film about how he sees the world from his wheelchair without having to be seen himself.
Nathalie: The first and last prom(es)
Christine attends her first and last prom accompanied by Martin Fredericksen
Promises to the Future(en)
As the filmmaker pursues a creative career, she goes looking for others in similar positions to explore what her decision entails. Mixing experimental art and documentary film, the work explores the real and imaginary boundaries of creativity.
The Neverending Party(fr)
A look-back at popular French movie "La Boum" (The Party).
Stop the Movie (Cruising)(en)
A short film documenting street protests against the filming of William Friedkin's Cruising (1980)
The Beginner's Guide to Spinning in Loops(en)
From June 2021 to June 2022, Justin "Jastun" Bland records whatever that is in front of him. He presents an abstract montage of collected videos varying from onscreen recordings to filming special, intimate & mundane in-real-life moments. This short captures our daily routines in life and how we choose to spontaneously record them.
Hennessy: Maurice Ashley, the Grandmaster(en)
The film follows the rise of the chess player Maurice Ashley, the first black person to attain the title of Grandmaster.
Alexa Boulton: Cinema(fr)
Alexa Boulton interviews the students and teachers of Kelvin High School to uncover the possibilities for the future of cinema
Imperfect(en)
A professional company of actors with disabilities defies expectations by taking center stage in Chicago the musical.
Nothing As It Seems: The Films of Nicolas Roeg(en)
Documentary on Nicolas Roeg
It Conquered Hollywood! The Story of American International Pictures(en)
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.