From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.
Self
Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.
After Suman's father leaves her in the care of another family while he travels abroad, she falls in love with Prem. However, in order to for them to marry, Prem has to prove to Suman's father that he is not the same as his own dad.
Dr Samir is an absolute charmer when it comes to women, but he poses as a married man to keep them at bay. Love becomes a three-ring-circus for him after he ends up tangled in his web of lies with his girlfriend Sonia and pretend wife Naina.
A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.
Three people, each having different aspirations from life, are caught in a tangle of emotions and don’t know the way out. There’s a husband and wife with love eroding from their life. And there’s a single, happy-go-lucky dude who falls in love with the wife.
In an effort to discover the depth of the country's polarization, four recent college graduates decide to travel across the United States gathering stories encompassing the spectrum of life in America. Their goal is to find the human stories behind the nation's social and political schism, proving that Americans are not tied together by political identity, geographical location or belief systems, but primarily by love, hope and dreams - universal truths.
A kindergarten teacher meets a novice magician and together they travel to another city to find love.
A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
An 11-year-old aspiring wrestler enters a competition to become the next WWE superstar by using special powers from a magical mask.
Akiyama is an intern, disgusted with the noise pollution caused by the bullet trains and the heart attacks that noise has been causing in older hospital patients, plots to disrupt and, in ten days, destroy a unit of the operation. He warns the Japan National Railway, that, if nothing is done to reduce the noise, he will derail a bullet train. Takigawa is the police detective sent to stop him.
Eva, 20, joins Safietou, Djaoua, Violette and Simone, a team of chambermaids at one of Paris’s finest Palace Hotels. She discovers the poor working conditions of these invisible women, who work tirelessly to keep the high standards of these luxurious hotels, where one night can cost their annual salary. Many are not even employed by the hotels directly but by sub-contractors, and are therefore particularly vulnerable. While on strike to fight against subcontracting and to obtain better working conditions, they come up with a colorful idea : having their own “Fashion Week” in front of the hotel!
Gopika Sharma lives a middle-classed lifestyle along with her widowed mother in Bangalore. She expresses a desire to sing and is encouraged by her maternal uncle, Dubey, who takes her with him to Bombay along with her maid, Lajjo. Once there, they are molested and Dubey goes missing. They then attempt to find a decent place to live, and after many frustrations make an agreement with a single male, Kishankumar Shukla, who poses as Gopika's husband, and move into an apartment owned by Lala Dhaniram.
An orphan boy with dreams of finding a family and fame as a cricketer, finds a bat with magical powers and lands a spot in the Indian cricket team.
A successful businessman, Yash Malhotra falls in love and marries a beautiful model named Lisa. Their marital bliss is disrupted by the entry of a fashion photographer named Peter who connects with Lisa and this betrayal leads to a series of dangerous consequences.
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.
Thakur Gajendra Singh runs a criminal empire from a small town. The Thakur rules this town, including the police, who only cater to his interests. His town has been known to be the grave-yard of police officers who have dared to oppose him. Inspector Amar Varma accepts the assignment to serve in this town, not knowing that he is not only putting his own life, but the lives of his loved ones also, in the hands of the merciless Thakur.
A young woman wins a typing contest and sets off to work in Paris.
In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.
Rahul and Riana meet each other for the first time, get drunk, and awake the next morning to find that they have gotten legally married to each other.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Tells the story of Tucson and the legendary movies that were shot there.
Interview with critic Molly Haskell about Hawks and Red River
Interview with filmmaker Peter Bogdanovich about Red River and the two versions of the film.
Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.
Diving Deep: The Life and Times of Mike deGruy, tells the story of Mike deGruy, an irrepressibly curious and enthusiastic underwater filmmaker who died suddenly in 2012. DeGruy filmed the oceans for more than three decades becoming as famous for his on camera storytelling as for his glorious, intimate visions of the sea and the creatures who live in it. Inspired to share his legacy as a filmmaker and storyteller, and to spread his mission for protecting the ocean, his wife and filmmaking partner Mimi deGruy returned to the edit room to produce Diving Deep: The Life and Times of Mike deGruy.
A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.
A documentary about the making of Evil Dead 2.
The latest work from Australian political satirist, cartoonist and filmmaker Bruce Petty contemplates our efforts to imagine the future using animated and live-action sequences, fiction and reality. An accident takes place during the filming of a documentary on the future and the film’s presenter (Rhys Muldoon) slips into unconsciousness. The actor’s muddled neurons recall fragments of his script, and he begins to consider humankind’s past and present imaginings of Utopia – an ideal and perfect state.
Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.
An exploration of the intricate art of filmmaking, delving into the multifaceted stages of scriptwriting, cinematography, and meticulous final editing. It provides a behind-the-scenes journey, unraveling the creative and technical complexities that bring a film to life. As an illustration, the film-within-a-film narrative centers around a race car competition.
A retrospective interview with director Werner Herzog.
In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.
An essay film by filmmaker and archivist Sari Braithwaite, [Censored] offers an overview of film censorship in Australia, told through an ever-changing collage of images compiled from the footage that was cut from films released domestically between 1958 and 1971.
Here are theatrical trailers for 27 mainstream and art-house films, presented chronologically from "Tea and Sympathy" to "Outrageous!" This spectacular showcase of vintage movie trailers offers a crash course in lesbian, gay, bi and transgender (LGBT) movie history and a colorful look at nearly every major mainstream queer-themed film produced between 1953 and 1977! Archivist Jenni Olson is one of the world’s leading experts on LGBT film history — curated from her private collection of rare original 35mm coming attractions trailers, Homo Promo has entertained audiences at LGBT film festivals around the world offering a campy cavalcade of coming attractions. Please note: The condition of these original 35mm archival prints varies — enjoy the wear and tear and rest assured that they have now all been donated to the Outfest/UCLA Legacy Project for LGBT Film Preservation where they are now being properly cared for.
Werner Herzog discusses the making of "Nosferatu" on set.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.