The Somme: The First 24 Hours with Tony Robinson

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Lost World of the Seventies(en)

Michael Cockerell sheds new light on the tragi-comedy of the 1970s by focusing on some of its most controversial characters. With fresh filming and new interviews, along with a treasure trove of rare archive, the film presents the inside story of giant personalities who make today's public figures look sadly dull in comparison. The well-known journalist revisits some of his films on the big characters who helped shaped the 1970s in Britain. Both tragic and comic, it highlights just how much our world has changed in four decades.

Grandpa's in the Tuff Shed(en)

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

102 Years in the Heart of Europe: A Portrait of Ernst Jünger(sv)

102 Years in the Heart of Europe: A Portrait of Ernst Jünger (Swedish: 102 år i hjärtat av Europa) is a Swedish documentary film from 1998 directed by Jesper Wachtmeister. It consists of an interview by the journalist Björn Cederberg with the German writer, philosopher and war veteran Ernst Jünger (1895-1998). Jünger talks about his life, his authorship, his interests and ideas. The actor Mikael Persbrandt reads passages from some of Jünger's works, such as Storm of Steel, The Worker, On the Marble Cliffs and The Glass Bees.

Lenin and the Other Story of the Russian Revolution(fr)

Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…

Verdun - They will not pass!(fr)

A century ago, from February to December 1916, the French and Germans provided a superhuman effort to control a few hills in eastern France, located in front of Verdun . A frontal confrontation, conducted without the help of their allies, army against army, nation against nation. Today, this battle seems absurd to us. Because it has caused almost as many casualties in each camp and its strategic utility has never really been demonstrated. But in 1916, soldiers on both sides did not consider it absurd: they agreed to fight. Why ? By reliving the rare Herculean confrontation of our ancestors, using reconstructions made in the 1920s, using a large number of animated computer-generated images that recreate the topography of the battlefield, this documentary returns, with the help of the historical adviser Paul Jankowski , on the last great victory won alone by France against Germany.

Hilversum in Black and White(nl)

Hilversum in Black and White portrays Hilversum in the period 1924-1974. Using amateur footage and excerpts from Polygoon newsreels from that period, the film shows how the town grew from its five hundredth anniversary in 1924 to a city of one hundred thousand inhabitants. 'Hilversum in Black and White' is a production of the Hilversum Historical Circle Albertus Perk for the occasion of Hilversum's six-hundredth anniversary. They previously produced "Hilversum Occupied and Liberated, 1940-1945."

The True Story of Pirates(fr)

Thanks to new excavations in Mauritius and Madagascar, as well as archival and museum research in France, Spain, England and Canada, a group of international scholars paint a new portrait of the world of piracy in the Indian Ocean.

Learning from the Roman Empire: Are We Repeating Their Rise and Decline?(en)

The rise and fall of ancient Rome is one of the greatest stories in the history of the world. From a group of settlements huddled along the Tiber in Italy, Rome rose to conquer much of the Mediterranean world and Europe. Produced by One Day University

De brand van Leuven(en)

At the end of August 1914 Leuven became the victim of blind rage war. Virtually the entire city center was systematically destroyed by the Germans. War journalist Rudi Vranckx explains what happened.

The Tuskegee Airmen: Return to Ramitelli(en)

Narrated by Country Music Superstar Darius Rucker. We return to Ramitelli airfield in Italy to chronicle the legacy of World War II's famed Tuskegee Airmen, African American pilots who helped break stereotypes and helped win World War II with their incredible fighter escorts of American bombers.

Generale - Anatomie der Marneschlacht(de)

The movie depicts the events from July until September of 1914 which led to the defeat of the German troops at the Marne. While Sebastian Haffner explains and comments on operations and decisions on the basis of situation maps, key scenes are depicted by actors. A main focus is thereby placed by Haffner onto the controversial mission of lieutenant-colonel Richard Hentsch who is said to have, during a war patrol to the various army high commands, contributed to the abortion of the operations significantly.

Quintinshill: Britain's Deadliest Rail Disaster(en)

Neil Oliver describes the worst ever railway accident in the UK, which happened a hundred years ago on 22 May 1915, in which three trains collided at Quintinshill near Gretna Green. One of the trains was a troop train taking soldiers to fight in World War I at the Battle of Gallipoli: many of the dead were in this train which caught fire due to escaped gas from the archaic gas lighting in the carriages. The cause of the crash was attributed to a catastrophic signalman's error, but Neil examines whether there were other contributory factors and whether there was a cover-up to prevent investigation of them, making convenient scapegoats of the signalmen.

Noble Sissle's Syncopated Ragtime(en)

Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.

Forgotten Men(en)

Producer Samuel Cummins, along with five participants in World War I, discuss the key events of the war as illustrated by an assemblage of battlefield and other documentary footage. This film is not the same as, but seems likely to have either inspired or been inspired by, Norman Lee's British production of the same title (q.v.), apparently released the following year.

Za trvalý mír(cs)

Cake Bakers & Trouble Makers: Lucy Worsley's 100 Years of the WI(en)

Documentary to mark the WI's centenary. Lucy Worsley goes beyond the stereotypes of jam and Jerusalem to reveal the surprisingly radical side of this Great British institution.

The Pity of War(en)

Professor Niall Ferguson argues that Britain's decision to enter the First World War was a catastrophic error that unleashed an era of totalitarianism and genocide.

Rire (enfin) au féminin(fr)

For a long time, in France, comedy was the preserve of men. Female roles were mostly secondary and corresponded to stereotypes such as the pretty doll, the funny but unattractive woman, or the troublesome, even cantankerous wife

Asunder(en)

Esther Johnson’s film uses local archive footage to convey the story of Sunderland's involvement in the First World War, from the men who fought in the fields to those who stayed behind to work in the region’s shipyards and munitions factories.