Prohibido Fumar

RadioPesadilla(es)

Estigma(es)

La Noche Sin Salida(es)

Smile(es)

Valentin is a shy and reserved guy, everyone things he is a loser with the girls, but now, he is preparing himself for a date.

AN7R0i7E(es)

Nestor is a boy immersed in melancholy. In an attempt to forget an old love, he begins a relationship with Isabel, an android.

Mi amigo Pipo(es)

Ruidos(es)

Cig, Fag, Smoke(es)

Cig Fag Smoke(en)

Atrapado(es)

Fumaças do Passado(pt)

Geography does matter(es)

Observational documentary about the student protests that took place at the Universidad Austral de Chile during 2024, in the context of the implementation of the "Recovery Plan", which caused a wave of layoffs of professors and staff, increasing the educational crisis of the institution.

Trainsmoking(es)

El cine que nos forma(es)

perspectivas de um fumador.(pt)

The Greedy Tiffany(cs)

A rube named Pepa (Leos Noha) robs cottages for cash and spends his free time swilling rum at fourth-rate establishments. The discovery of a strange video recording points him to a place where he'll find a treasure of immense value. The mysterious place in northern Bohemia, however, awakens avarice far and wide and, seemingly, it's got a plan for all those who turn up.

Empire of Madness(en)

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Migu & Shinomi in Dream's Labyrinth(ja)

Women are offered as a sexual sacrifice to the Devil.

I Was a Teenage Wereskunk(en)

A comedy homage to the drive-in monster movies of the 50s.