Geography does matter

El cine que nos forma(es)

Resistencia(es)

In Asturias, the Duro Felguera company dismissed 232 employees in 1993. From then on, a ten-year struggle began for the workers to be reinstated. "Resistencia" is the story of a workers' struggle that ended up triumphing.

Isla de Fuegos(es)

The Island is a real territory, as well as a metaphorical one, a synthesis of the country and of civilization, of progress and injustice. An intensive expression of the human effort to overcome adversity.

The Agirre Case(es)

The Agirre family, made up of Iñaki and Miren, and their children Aitor, Janire and Arene, is a wealthy family that enjoys a privileged position in Basque society. At the beginning of the story, a journalist interviews the perpetrator of the macabre murder of the owners of the well-known company “Talcos Agirre”. A call to the emergency services alerts the police to the event. The viewer is immersed in the intrigue surrounding the case until the identity of the murderer is revealed.

Ruidos(es)

En espera de la Luz Verde(es)

Prohibido Fumar(es)

delirium(es)

Despierta(es)

Ana suffers from insomnia due to an entity haunting her. Eventually, she falls asleep, only to experience sleep paralysis in the middle of the night and face her worst fear.

Everything We Never Did(es)

Two friends, Celia and Alba, excitedly face the summer after their last year in high school; but, especially, they face insecurities and fear towards the unknown future. They’ll live in the present, but anxious about what’s to come, making up plans that only time will tell whether they’ll be done or not.

Ahí donde no estamos(es)

Regina receives news, she has obtained a scholarship to study abroad; she must decide whether to make the decision to leave or stay beside the people she loves.

Lo peor hasta el momento(es)

The arrival of Juan, who has been away from the family for years, profoundly alters the life of Mario, who seems to have "mortgaged" his life in the care of his mother and the cancer that now has her in a terminal phase.

La última escena(es)

On her first student film shoot, Camila, the director, discovers that her boyfriend, Miguel, an actor, is cheating on her with his co-star. Upon learning of the infidelity, Camila questions her relationship with Miguel and her passion for filmmaking.

La Noche Sin Salida(es)

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Abondance(fr)

Le monde en face - Chine - États-Unis, la nouvelle guerre froide(fr)

Olympia Part One: Festival of the Nations(de)

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia Part Two: Festival of Beauty(de)

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.