Hei Tiki, also known as Primitive Passions and Hei Tiki: A Saga of the Maoris, is a 1935 American mock-documentary film made in New Zealand by the eccentric Alexander Markey and released (with sound added) in America. The film gained notoriety in America for having scenes of nudity cut in various states. It is one of four films (with The Devil's Pit, Down on the Farm, and On the Friendly Road) which claim to be the first "New Zealand talkie", although the claim is dubious in this case as the sound was added in America.
1935-02-02
0
A Weird Maori Drama
At the end of the 18th century, hundreds of Indian sailors, known as lascars, worked amongst European settlers in Aotearoa New Zealand - often under the gruesome working conditions of seal hunting gangs. The story follows a lascar, Dasa, who has been abandoned on the coast of Aotearoa NZ by the East India Company, alongside his sealing gang. When Dasa finds himself in the middle of a conflict between his abusive British superior and two Māori traders, he is faced with a choice: bend the knee or take a stand.
Munro, a soldier turned lay preacher, comes to New Zealand to minister to the first British colonists, but he is converted by the powerful chief Maianui to serve a different purpose.
This film is an intimate portrayal of pioneering filmmaker Merata Mita told through the eyes of her children. Using hours of archive footage, some never before seen, her youngest child and director Hepi Mita discovers the filmmaker he never knew and shares the mother he lost, with the world.
Logan, an ex-gang leader, has left the gang life to raise his daughter Tori. But when Tori is murdered by an opposing gang in town, Logan must choose forgiveness or revenge.
An ex-Boer war guerrilla in New Zealand is sent out to bring back a Maori accused of killing a British soldier. Gradually they grow to know and respect one another but a posse, led by the British Commanding officer is close behind and his sole intention is to see the Maori hang. Written by Filmfinders 1903. A guerilla fighter from the South African Boer war called Arjan (Winstone) takes on a manhunt for Maori seaman Kereama (Morrison), who is accused of murdering a British soldier. What follows is a cat and mouse pursuit through the varied landscape of NZ with both hunter and huntee testing their bushcraft and wits against that of the other. Written by Anonymous
After skipping town a decade ago, transgender activist Caz Davis returns to the remote, politically divided dairy community of Rurangi, hoping to reconnect with his estranged father, who hasn't heard from him since before Caz transitioned.
Three Maori youths, bored with Auckland, head south in a restored Mark II Zephyr in search of something different. One of them is on the run from drug dealers, whom he had crossed. Various mini-adventures occurs as they make their way down the North Island, but it all comes to a head while visiting a cousin. Finally, they, the drug dealers and the police all come together, with the expected fights and arrests.
A hundred years after the theft from New Zealand of three irreplaceable tribal carvings, two Maori, Rewi and Peter, decide it's time for ancient grievances to be put right. Both men are in Berlin where the carvings are stored in a museum. Plans go awry when a group that Peter has assembled breaks into the museum. Rewi persuades the others to let him put his own, more daring plan into action. Tensions build and international media interest broadens when a sniper's bullet hits Peter.
Sophie loved Edmund, but he left town when her parents forced her to marry wealthy Octavius. Years later, Edmund returns with his son, William. Sophie's daughter, Marguerite, and William fall in love. Marguerite's sister, Marianne, also loves William. Timothy, a lowly carpenter, secretly loves Marianne. He kills a man in a fight, and Edmund helps him flee to New Zealand. William deserts inadvertently from the navy, and also flees in disgrace to New Zealand, where he and Timothy start a profitable business. One night, drunk, William writes Octavius, demanding his daughter's hand; but, being drunk, he asks for the wrong sister.
This impressive doco disperses the fog of shame and sensationalism to shed light on the tragedy that made international headlines in 2007 when a young Wainuiomata woman died during a mākutu lifting.
Ivan is the fierce patriarch of a family of Croatian refugees living in Auckland during the Yugoslav wars. Nina is his daughter, ready to live on her own, despite his angry objections. Eddie is the Maori she takes as her lover. Nina works at the restaurant where Eddie cooks. For a price, she agrees to marry another restaurant employee, a Chinese man, so that he can establish permanent residency. The money gives her the independence she needs to leave her parents' house and move in with Eddie. Complications arise when Eddie realizes the depth of her father's fury and the strength of Nina's family ties.
A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.
Two young teenagers are forced to take control of their own destiny amid the chaos of a pivotal battle in New Zealand’s first land wars in 1864.
A western set in New Zealand during the 1820s following a group of British pioneers seeking a new life Down Under.
After a period of separation, Sarah visits her research scientist mother on a remote New Zealand island. Before long Sarah becomes inextricably involved in events involving both Maori legend and an Albatross.
American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.
Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.