Māori
HomePage
Overview
This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.
Release Date
1981-07-25
Average
0
Rating:
0.0 startsTagline
The hongi is a greeting of affection: aroma. 'Aroha': love or compassion, is the vine that binds the tribe.
Genres
Languages:
EnglishKeywords
Similar Movies
Lord Howe Island: Pacific Eden(en)
A place of biological superlatives with a flora and fauna that have only just begun to be researched: Lord Howe Island, between Australia and New Zealand. This is the first documentary on what may be the most isolated nature reserve on the planet.
Rewi's Last Stand(en)
Star-crossed lovers, Robert and Ariana, are caught up in the New Zealand wars of the 1860s. Ariana is claimed by the Maniapoto people as one of their own and, despite Robert's chivalrous defence, is taken by them and must help them prepare for war. Robert likewise must do his patriotic duty and enlists to fight on the other side. He volunteers to ride despatch, thinking it may give him an opportunity to see Ariana again, which it does, but their joy is short-lived; Maniapoto women fight beside their men, and furthermore she is a Rangitira (noble) and will not let her people down. The climax is the siege of Oraku Pa where 300 Maori hold off 2000 troops for three days. The Maniapoto are defeated, but Ariana, although wounded, survives to be reunited with Robert.
Kainai(en)
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.
Women in the Shadows(en)
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
Our People Will Be Healed(en)
Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.
The World's Fastest Indian(en)
The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle—a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.
The Hockey Film(en)
A harsh winter in Canada’s Muskoka, where players face sub-zero temperatures, contrasts with New Zealand, where hockey is just starting to take root. Yet, between these two far-apart nations, there’s one thing they share: a deep love for the game of hockey.
Waiuku Vistas(en)
Waiuku Vistas is observational documentary exploring the feeling and mana of Waiuku, New Zealand. Follow two filmmakers as they shoot, capture and document the beauty of the land in the space of a day.
The Dark Horse(en)
One-time Maori speed-chess champ, Genesis Potini, lives with a bi-polar disorder and must overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself.
The Pretendians(en)
Anishinaabe author Drew Hayden Taylor investigates how — and why — Indigenous identity, culture and art are being appropriated by those who are not First Nations.
Max Gimblett: Original Mind(en)
Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.
Pirates of the Airwaves(en)
In 1966 a group of determined young men defied the New Zealand government and launched a pirate radio station aboard a ship in the Hauraki Gulf.
Our Maternal Home(en)
Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.
Trick or Treaty?(en)
Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.
The Crying Fields(en)
A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.
Nin E Tepueian: My Cry(fr)
NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.
Erebus: Operation Overdue(en)
On 28 November 1979, an Air New Zealand jet with 257 passengers went missing during a sightseeing tour over Antarctica. Within hours 11 ordinary police officers were called to duty to face the formidable Mount Erebus. As the police recovered the victims, an investigation team tried to uncover the mystery of how a jet could fly into a mountain in broad daylight. Did the airline have a secret it wanted to bury? This film tells the story of four New Zealand police officers who went to Antarctica as part of the police operation to recover the victims of the crash. Set in the beautiful yet hostile environment of Antarctica, this is the emotional and compelling true story of an extraordinary police operation.
Twelve Days(en)
On October 14th, 1941, in the rural West Coast town of Kowhitirangi, Stanley Graham is a financially struggling recluse. He is accused of poisoning his neighbour's cattle and threatening his neighbours with a rifle. Local Police Constable, Edward Best, arrives to resolve the situation. Graham soon threatens to shoot Best and so he retreats for backup. Best returns with three other Police officers from Hokitika to confront Stanley.