Caravagyo

All this Roughness(es)

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

The Weight of Sight(no)

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

Lesbian Custody(en)

A video essay about the personal and political context of a landmark lesbian feminist documentary film from 1977 called "In the Best Interests of the Children" about lesbian mothers fighting to regain custody of their children in the 1970s. As a nearly forgotten period of LGBTQ+ history, this documentary short introduces us to now retired filmmaker Frances Reid (award winning cinematographer and director) and her “step-daughter” Julie Stevens while they look through the film’s archives, discuss the making of the film and their personal relationship.

Teaches of Peaches(en)

Peaches - artist, feminist, rock star. She has been challenging gender stereotypes for over 20 years and is on par with the icons of the pop and rock world. With exclusive private archive material and current footage of preparations and concerts of her 2022 jubilee tour “20 Years of Teaches of Peaches”, we learn how the Canadian Merrill Nisker became the internationally celebrated musician and electro-clash icon Peaches.

Caste Aside(en)

Caste Aside is a documentary about the British government's controversial decision on whether or not to introduce legislation against caste discrimination in the UK. Highlighting both sides of this heated debate, the documentary speaks to Dalit rights activists, Hindu community leaders, academics and lawyers, as well as those who say they have been discriminated against on the basis of their caste - here in Britain.

Dyke Hard(en)

Dyke Hard is a failed rock group travelling to a battle of the bands competition in the big city. The journey is further filled with bizarre, fierce and passionate encounters with cyborgs, ghosts, a thai boxer, roller derby gals, ninjas, motorcycle gangs and a mysterious billionaire all of whom will do everything to stop the band from making it in time to the battle.

The Righteous Babes(en)

The Righteous Babes shows how the self-affirmative music of young women is renewing the 90's feminism. In the film, audience can experience feminism not in the library but in the rock concert hall. The film shows interviews and performances. In addition, controversial feminists along with American and British women journalists share their views on pop culture.

!W.A.R.: !Women Art Revolution(en)

Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.

Fogelstadgruppen(sv)

Orgasmic Birth: The Best-Kept Secret(en)

Enter the world of undisturbed birth as 11 couples share their intimate personal journeys, facing their fears and moving through pain into the ecstasy of birth. Orgasmic Birth poses the ultimate challenge to our cultural myths.

When the Beat Drops(en)

A documentary exploring the origins and evolution of bucking, as well as the life stories and struggles of various Atlanta performers.

Bill & Daisy(en)

after mourning the passing of his late wife, Bill finds the courage to travel to New York City and reconnect with his favorite mistress.

British Sounds(en)

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

Jaripeo(en)

Set against the vibrant spectacle of the jaripeo, a symbol of Mexican cowboy tradition and machismo, this story unveils a hidden world of queer desire and quiet rebellion. As glances and gestures disrupt the rigid norms of masculinity, the rodeo becomes a stage for our protagonists to navigate identity, community, and the search for belonging in an oppressively traditional space.

I Need That Record!(en)

Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.

Dolores guapa!(es)

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Lake(en)

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

La fuga(es)

The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.

This Is (Not) Your Ocean(ca)

Queer bodies attract, fall in love, falter, perish. Are our bodies more vulnerable, and therefore our loves, too? A poetic video letter; an intimate experiment of image and sound, of heart, head and hormones; and a loving ode to those who have passed on before memories together could be made.

MOVE(en)

This documentary explores the aftermath of a 2015 mass shooting that took place during an anti-violence community basketball tournament at the Boys and Girls Club in Rochester, New York. Members of the Community along with family members of the victims join together to speak out against the needless violence that took the lives of multiple children and young adults and injured many others.