A video essay about the personal and political context of a landmark lesbian feminist documentary film from 1977 called "In the Best Interests of the Children" about lesbian mothers fighting to regain custody of their children in the 1970s. As a nearly forgotten period of LGBTQ+ history, this documentary short introduces us to now retired filmmaker Frances Reid (award winning cinematographer and director) and her “step-daughter” Julie Stevens while they look through the film’s archives, discuss the making of the film and their personal relationship.
Self
Self
 0.0
0.0During the women's demonstration on March 8, 1972, Mariasilvia SPOLATO was there with a placard: Liberazione omosessuale. A month later, Simone de Beauvoir came to Rome to give an interview, and this placard illustrated her article. Mariasilvia could no longer teach, ended up homeless and spent her life on the trains.
 0.0
0.0In an airborne pandemic when separation, isolation, and self-sufficiency became the punishing norm, many trans people faced the COVID-19 era differently. G. Chesler’s new documentary feature presents eight portraits of trans, postgender, and genderqueer people sharing their experiences of cultivating, sustaining, and joining communities in this pandemic. These trans community creators center experiences of Asian American people facing violent racism as the pandemic began in late 2019, Black Americans rising in opposition to white supremacist police-state violence in mid 2020, and the exclusion many people who are disabled feel from a society that—despite grave and massive loss—still refuses to habitually protect itself at large.
 0.0
0.0When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.
 6.8
6.8A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
 8.0
8.0Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.
 9.0
9.0A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
 2.3
2.3Interviews and performance footage are used to provide an overview of the women's music scene.
 3.8
3.8A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.
 0.0
0.0A short film documenting street protests against the filming of William Friedkin's Cruising (1980)
 6.0
6.0Hard to imagine, but true: According to current estimates, out of 500,000 active male football professionals worldwide, under ten (10) are openly homosexual. While homosexuality hardly plays a role in other areas of life today, the topic seems to be completely taboo in professional football. The feature-length documentary THE LAST TABOO lets those who broke exactly this taboo tell their very personal stories alongside Thomas Hitzlsperger. Like the British professional footballer Justin Fashanu (*1961 in London; † 1998 in London), who broke this taboo for the first time in 1990 and paid for it with his life. His niece Amal tells his story. Marcus Urban, on the other hand, was about to make the jump to the Bundesliga as a teenager and, by deciding to come out, he also went against his big dream. The stories of the US professional Collin Martin and the British player-coach Matt Morton, on the other hand, suggest that normality is not far away.
 9.0
9.0A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991
 0.0
0.0Documentary about behind the scenes of Pabllo Vittar's highly anticipated show at the first edition of The Town, in São Paulo.
 9.0
9.0In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.
 2.0
2.0A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.
 2.4
2.4The final official installment in the "Mondo Cane" series dares to go where no other Mondo film has gone before.
 0.0
0.0The rise and fall of the biggest star of travesty show in Prague in the nineties. The film tells the story of a man with shocking sincerity and openness in confession of two different personalities, woman and man living in one body.
 0.0
0.0Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.
 0.0
0.0Max is gender non-conforming and gives birth to River, who they are raising gender-neutral until River can express their own identity.
