Piet Bekaert

Grizzly Man(en)

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

JENNY@7-11(en)

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

100 Years of Ulysses(en)

Paris, France, February 2, 1922. The novel Ulysses, by Irish writer James Joyce (1882-1941), is published by US poet Sylvia Beach (1887-1962), owner of the small bookstore Shakespeare & Co. The book, whose writing consumed seven years of Joyce's life, years in which his family was in financial need, would have a profound and unprecedented impact on 20th century literature and culture.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

With Closed Windows(ru)

A biographical film about the popular rap artist Detsl, whose real name is Kirill Tolmatskiy. The rap artist passed away at the age of 35 in 2019.

Otar Iosseliani, le merle siffleur(fr)

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Hitchcock, Selznick and the End of Hollywood(en)

Paying homage to two of Hollywood's central icons, the film creates an unparalleled portrait of two very different personalities amidst the demise of the studio system.

Adın sirri və tale. Qurban Səid(az)

A film about the life and work of the Azerbaijani immigrant journalist and writer Mohammad Asad Bey, who emigrated to Germany after the collapse of the Republic of Azerbaijan at the beginning of the 20th century

A Brief History of Time(en)

This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.

Drawn from Memory(en)

Fierlinger concentrates his considerable talents as an animator to recount through fragmented memories, vivid recollections, and the occasional evocative photograph his life as the rebellious son of Jan Fierlinger, Czechoslovakian career politician.

Jodie Foster, une histoire française(fr)

Peter Lorre: The Master of Menace(en)

Documentary overview of Peter Lorre's ascension to fame as a master purveyor of silky but disquieting peril.

Alain Delon, a unique portrait(fr)

Biography of a star and figure study : This fascinating portrait is for anyone who wants to know more about the man behind the mask. By the end of the film, you will view this famous French icon in a totally different light. Delon speaks in a series of surprising interviews, spanning nearly 50 years.

Fernando Pessoa(pt)

The documentary about the life of Fernando Pessoa, defended by journalist Clara Ferreira Alves, underlines how, in just 30 years, Fernando Pessoa built an immense body of work, of astonishing quality and all of this while being nothing more than an anonymous office worker all his life.

Window(sh)

Claustrophobic portrait of a docile rural wife's daily routine.

Cree Code Talker(en)

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

Boys Beware(en)

This anti-homosexual social "scare" short film focuses on the dangers of young boys talking to strangers.

The Funicular of Mount Faloria(it)

Vertigine (Vertigo) is the original title of a fragment of around 4', signed by Michelangelo Antonioni, which is a part of the eight-minutes documentary La funivia del Faloria. The title was eventually modified in La funivia del Faloria because considered more effective to obtain the governmental prize (at the time the minimum length allowed was 8 minutes). Vertigine was shot in 1949 with the cinematographer Bellisario, who was director of photography in several documentaries in those years, but was edited only in 1950, after Antonioni had made his first feature film, Cronaca di un amore.