Drawing Restraint 23

Bloodlust(de)

An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound. He affixed his blood onto clear film leader by cutting into the flesh and then pressing the film leader onto the wound. Additionally he had blood taken with a syringe and afterwards dripped it on the film leader. fresh and clotted blood was used.

Dog Star Man(en)

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.

Like a Pig in Shit(en)

"Like a Pig in Shit" is a twenty-minute video piecing together audio and visual material found online, a collage technique common to the artist’s practice. It comprises nine movements and a spiraling, ultra-introspective, stream-of-consciousness monologue that diarizes the cumulative effects of life in the mediated, surveilled, freelance matrix.

Bricks!(en)

In 1976, the Tate Gallery exhibited an experimental artwork that became a national sensation - Carl Andre's Equivalent VIII, or, to its detractors, 120 bricks laid on the floor. This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.

Fragonard: Lessons in Love(fr)

Permeke(nl)

When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration works at The Ostend Museum of Modern Art, she discovers by chance five paintings signed Constant Permeke, whose power and mystery move and fascinate her.She decides to embark on a quest to find out about who Permeke actually was, the places where he lived, how he worked, what experiences he went through.

Diwan(de)

Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.

Ken Burns Says "Jazz" 3 Billion Times (actually 2.97 bn) in Under 3.5 Minutes(en)

Ken Burns Says "Jazz" 3 Billion Times (actually 2.97 bn) in Under 3.5 Minutes

Memoirs of a Strangler of Blondes(pt)

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Crazy Love(pt)

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

The 99 Names of God(en)

Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.

Palladio: The Power Of Architecture(it)

Three restoration students and scholars from all over the world meet in a Palladian villa in view of a conference on Palladio. Meanwhile, in the United States of America, a young university professor asks his mentors, Kenneth Frampton and Peter Eisenman, how to be able to transmit Palladio's humanistic values to the new generations.

Death of a Stag(fr)

Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.

Redland(en)

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Sochár Peter Lehocký(sk)

Surviving Picasso(en)

The passionate Merchant-Ivory drama tells the story of Francoise Gilot, the only lover of Pablo Picasso who was strong enough to withstand his ferocious cruelty and move on with her life.

True Dreams(en)

How many movies have you seen where at the end the main character wakes up, causing he and the audience to simultaneously realize that everything they witnessed beforehand was "just a dream?" This film takes that principal but instead of deceiving, the story invites you to watch the main characters dream away. As a result, "True Dreams" takes the dream sequence to a whole new level: it lets its audience in on the joke, while they watch the two main characters run around unaware of the reality/fantasy of their surroundings. This film can be viewed via Vimeo at https://vimeo.com/132642294 (password: truedreams)

3 versos para a morte(pt)

Songs for Four Hands(en)

A man and a woman converse wordlessly. An essential film dialogue. The accompanying sound was created by playing a chord from a Mahler symphony through two 'reel-to-reel' tape recorders and editing it.

Aphasia(en)

Following a failed suicide attempt, Sarah watches herself leave her body and become an empty vessel for anything to crawl into. When she re-enters her body she learns that she isn't alone.