Subversivas

Women Don't Cycle(fr)

A film about what it means to be a woman cycling in different countries around the world. When Manon left to cycle from Brussels to Tokyo, she took a camera with her and met other women cyclists along the way. Hear their stories!

Teaches of Peaches(en)

Peaches - artist, feminist, rock star. She has been challenging gender stereotypes for over 20 years and is on par with the icons of the pop and rock world. With exclusive private archive material and current footage of preparations and concerts of her 2022 jubilee tour “20 Years of Teaches of Peaches”, we learn how the Canadian Merrill Nisker became the internationally celebrated musician and electro-clash icon Peaches.

Yellow Caesar(en)

Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.

El Equipo del Pueblo(es)

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

El cine libertario: cuando las películas hacen historia(es)

Upon the outbreak of the Spanish Civil War in July 1936, the anarchist union CNT socialized the film industry in Spain, so in Madrid and Barcelona film workers took over the production assets and, between 1936 and 1938, numerous films on a wide variety of topics were released, composing a varied mosaic that gives rise to one of the most unusual and original moments of Spanish cinematography.

The Democratic Revolutionary Handbook(ru)

The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.

Recuerdos del futuro: Raúl Pellegrín(es)

The Chicago Conspiracy(es)

This documentary addresses the legacy of the military dictatorship in Chile by sharing the story of young fighters killed by the Pinochet regime as a backdrop to the history of the military dictatorship and the ongoing social conflict in that area. The larger story unfolds in three shorter parts, which explore the student movement, the history of the towns that became centers of armed resistance against the dictatorship, and the indigenous Mapuche conflict.

A virxe roxa(gl)

Françoise d'Eaubonne: une épopée écoféministe(fr)

In the 1970s, Françoise d'Eaubonne stood out in the French intellectual landscape. At 50, she has already won several literary prizes and published around forty novels and essays, but is resuming her militant fight with renewed vigor. She is the first to define ecofeminism, denouncing the common oppression of women and the planet as a consequence of patriarchy. She participated in the actions of the MLF (Women's Liberation Movement), in the creation of the FHAR (Homosexual Revolutionary Action Front) and theorized counter-violence, going so far as to sabotage the construction site of the Fessenheim nuclear power plant. This film presents unpublished documents for the first time. Drawing freely from the manuscripts and photographic archives that she bequeathed to the Memory Institute for Contemporary Publishing, her relatives and researchers, historians and publishers comment on the resonance of her feminist and ecological heritage.

Hoe Hannie ben jij?(nl)

Em Busca da Verdade(pt)

Fogelstadgruppen(sv)

Match in a Haystack(en)

When Russia invaded, the women of Ukraine's leading contemporary dance group struggled to find purpose in their work. A search for new forms of resistance ultimately led them back to dance.

Twenty Years Later(pt)

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

Genoeffa Cocconi - I miei figli, i fratelli Cervi(it)

Slut or Nut: The Diary of a Rape Trial(en)

York University alumni Mandi Gray is forced to grapple with a university administration, legal system and police force unwilling to take seriously her report of rape by a fellow PhD student.

Invasion(en)

In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.

Remembering So We Don't Forget(es)

Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman(en)

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.