Self
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
Every year, thousands of commercials are made that never reach our TV screens, deemed too shocking to see. In order to make it onto the screen, they must clear all manner of obstacles, from fussy clients to obsessive regulators and restrictive rights issues. X-Rated takes a look at these outlawed pieces of advertising, revealing the most explicit, controversial and shocking ads never seen. These are ads that break all manner of taboos, from sex, violence, blasphemy, homosexuality, animal cruelty, rapping pensioners, swearing children, suicidal toys and naked athletes to Kylie in her undies on a bucking bronco. Amongst the contributors are advertising executives, producers and censors. The programme also takes a look at the embarrassing world of western celebrities in Japanese ads.
From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.
A fictionalized biography on John Dall who was in two great movies - Alfred Hitchcock’s Rope (1948) and Joseph H. Lewis’ Gun Crazy (1950).
Boogie Man is a comprehensive look at political strategist, racist, and former Republican National Convention Committee chairman, Lee Atwater, who reinvigorated the Republican Party’s Southern Strategy to increase political support among white voters in the South by appealing to racism against African Americans. He mentored Karl Rove and George W. Bush and played a key role in the elections of Reagan and George H.W. Bush.
The art of the "pitch" and its role in society, as told by many of the pitch industry's greatest salesmen, including Arnold Morris, Sandy Mason, Lester Morris, Wally Nash and Ed McMahon as well as a look at the Popeil family.
Chronicles the growth of the advertising industry from the 1950s through today, looking at the real men and women who created some of the most ground-breaking advertising campaigns and slogans and whose work changed the landscape of the ad industry. Roy Eaton, Jerry Della Femina, Paula Green, George Lois, and other creative giants recount the history of the advertising industry through unforgettable stories and campaigns.
Josie, Melody and Val are three small-town girl musicians determined to take their rock band out of their garage and straight to the top, while remaining true to their look, style and sound. They get a record deal which brings fame and fortune but soon realize they are pawns of two people who want to control the youth of America. They must clear their names, even if it means losing fame and fortune.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
World famous pop group the Spice Girls zip around London in their luxurious double decker tour bus having various adventures and performing for their fans.
Year after year hundreds of thousands of fans line the route of the Tour de France, cheering on their heroes and willing them to victory, while millions of viewers worldwide tune in on their televisions. Academy Award-winning director Pepe Danquart, fascinated by the spectacle of the three week race, chose to focus on the courage, the pain and the fear of the riders of the Tour. Training his lens on German superstar sprinter Eric Zabel and his loyal domestique Rolf Aldag, Danquart captures the thrill of the race and the teamwork behind the stars of the peleton. He also shines light on the Tour's supporting cast - the director sportifs, masseurs, and, of course, the wildly enthusiastic fans. Reveling in the stunning landscape - from the Alps to the Pyrenees to the Massif Central to Paris - and with a nice dollop of Le Tour's history, HELL ON WHEELS transcends the sport it celebrates to reveal an astonishing human endeavor.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Before Rolling Stone, there was Soul Newspaper. Behind Soul, there was Regina Jones. Against all odds, Regina blazed her own path, and at 80 has found herself again.
A porn-loving, Charles Manson-befriending, Mississippi Republican runs to become the next sheriff.
No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”
Tis the season for terrorizing your neighbors. And these classic Beavis and Butt-head episodes have tricks and treats so sweet you'll get a stomachache. Includes: Bungholio: Lord of the Harvest, The Pipe of Doom, Killing Time, Leave it to Beavis, Ding-Dong-Ditch, Late Night with Butt-head, Candy Sale
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
Cultural theorist Stuart Hall offers an extended meditation on representation. Moving beyond the accuracy or inaccuracy of specific representations, Hall argues that the process of representation itself constitutes the very world it aims to represent, and explores how the shared language of a culture, its signs and images, provides a conceptual roadmap that gives meaning to the world rather than simply reflecting it. Hall's concern throughout is the centrality of culture to the shaping of our collective perceptions, and how the dynamics of media representation reproduce forms of symbolic power.
Our story begins in 1979, with a chance meeting in a Salt Lake City parking lot where filmmaker Trent Harris is approached by an earnest small-town dreamer from Beaver, Utah. Harris jumps at the chance when the young man invites him to come to the small town to film a talent show. At the show, the man dons a blond wig and performs in drag as Olivia Newton John. Harris captures it all on tape: A portrait of a true outsider. Harris shot a dramatic piece, "Beaver Kid 2" based on the documentary; This interpretation of the story, made in 1981 on a home video camera with a budget of $100, features a young Sean Penn as "the Beaver Kid". Still possessed, Harris then rewrote the script, cast up-and-comer Crispin Glover in the lead, and created the final segment, "The Orkly Kid", with funding from the American Film Institute. The trilogy unveils the inner world of a fantastic character in three incarnations.
Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities.
As the city is locked down under quarantine, Alice finds out that the people that died from the previous incident at the Umbrella Corporation have turned into zombies. She then joins a small band of elite soldiers, who are enlisted to rescue the missing daughter of the creator of the mutating T-virus. Once lack of luck and resources happen, they begin to wage an exhilarating battle to survive and escape before the Umbrella Corporation erases its experiment from the face of the earth.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
In a world ravaged by a virus infection, turning its victims into the Undead, Alice continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap.
When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town.
Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
Former FBI Agent Will Graham, who was once almost killed by the savage Hannibal 'The Cannibal' Lecter, now has no choice but to face him again, as it seems Lecter is the only one who can help Graham track down a new serial killer.
With personal crises and age weighing in on them, Riggs and Murtaugh must contend with deadly Chinese triads trying to free their former leaders from prison and onto American soil.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Turbo-Charged Prelude is a 2003 short film, directed by Philip Atwell, featuring Paul Walker, reprising his role as Brian O'Conner, in a short series of sequences which bridge The Fast and The Furious with its first sequel, 2 Fast 2 Furious.
It's a major double-cross when former police officer Brian O'Conner teams up with his ex-con buddy Roman Pearce to transport a shipment of "dirty" money for shady Miami-based import-export dealer Carter Verone. But the guys are actually working with undercover agent Monica Fuentes to bring Verone down.
The story of British officer T.E. Lawrence's mission to aid the Arab tribes in their revolt against the Ottoman Empire during the First World War. Lawrence becomes a flamboyant, messianic figure in the cause of Arab unity but his psychological instability threatens to undermine his achievements.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
Rick and Evelyn O’Connell, along with their 8-year-old son Alex, discover the key to the legendary Scorpion King’s might: the fabled Bracelet of Anubis. Unfortunately, a newly resurrected Imhotep has designs on the bracelet as well, and isn’t above kidnapping its new bearer, Alex, to gain control of Anubis’s otherworldly army.
After an intense fight with Clubber Lang and the death of his trainer Mickey, Rocky Balboa is left devastated. Former rival Apollo Creed steps in to help Balboa get back his fighting spirit.