In 2010, director Michiel van Erp started filming a group of children in Utrecht. He kept filming them till 2018, the year they turned 18. The film portrays those moments which were crucial for the development and personal growth of the kids.
2019-10-08
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Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.
Nick and Michi roam the streets and meadows of their neighbourhood inseparably, but when Michi surprises Nick with unexpected news, they try to suppress it in their own way.
An intimate portrait of Eric Carle, creator of more than 70 books for children including the best-selling "The Very Hungry Caterpillar". At 82, Eric is still at work in his studio making books and creating art. As he methodically layers a tissue paper collage of the caterpillar, he describes the feeling he achieves working in his studio, the sense of being at peace, all alone, when everything grows quiet and it is just himself and his work. The film taps into that deep creative need in each of us, a spirit that started in Eric as a very young child and is unceasing today.
Joanna Lumley is on a mission to get to know the elusive, slightly eccentric front man of the Black Eyed Peas, will.i.am. She travels to Los Angeles to spend time with The Voice judge, music performer, producer, and social entrepreneur in his home town.
A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.
After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.
The film twice states that it doesn't intend a moral injunction, but it clearly does with comments such as "our society... regards sexual intercourse outside marriage as irresponsible and possibly disastrous" and "you can use your knowledge with responsibility and real love or you can use it wantonly and with mere animal appetite". This is clearly marriage education not sex education.
In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.
Tippi is no ordinary child. She believes that she has the gift of talking to animals and that they are like brothers to her. 'I speak to them with my mind, or through my eyes, my heart or my soul, and I see that they understand and answer me.' Tippi is the daughter of French filmmakers and wildlife photographers, Alain Degre and Sylvie Robert, who have captured her on film with some of Africa's most beautiful and dangerous animals. Tippi shares her thoughts and wisdom on Africa, its people and the animals she has come to know and love. Often her wisdom is beyond her years, and her innocence and obvious rapport with the animals is both fascinating and charming.
Karan and Rohan, two biracial brothers raised in a marginal environment, are finding ways to get stimulated on a normal summer day. They embark on a trip to buy candies to avoid boredom. This film plays with the sense of boundaries between what is real and what is fiction. It is a film about the love of two brothers and their singular reality in the countryside of Quebec.
A documentary about the legendary Japanese filmmaker.
Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
The Disappearing Male is about one of the most important, and least publicized, issues facing the human species: the toxic threat to the male reproductive system. The last few decades have seen steady and dramatic increases in the incidence of boys and young men suffering from genital deformities, low sperm count, sperm abnormalities and testicular cancer. The Disappearing Male takes a close and disturbing look at what many doctors and researchers now suspect are responsible for many of these problems: a class of common chemicals that are ubiquitous in our world.
Country songwriter Luke Dick spent his toddler years living in the Red Dog, the rowdiest and most popular strip club in Oklahoma City. Now 30 years later, Luke has a toddler and a newborn of his own. As he began asking his mom questions about his own childhood, she turned out to be more hilariously forthcoming than he ever imagined.
A documentary about young people with autism, and how arts and creative therapies help them to lead fuller lives.
A lonely 40-year-old man sits on the balcony of a Finnish apartment building. Joonas Berghäll has learned that he will die in 14 years’ time, unless he changes his way of living or attitude towards life. Joonas wants to make a film about the state of wellbeing of Finnish men, drawing from his own experiences and mirroring the society at large. The film is built around six stories. It starts with the context of school and proceeds through the contexts of military service, custody battle, burnout and substance abuse to end on the subject of premature death caused by health problems.