The Picture of Dora

Bancoco(en)

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

O tecido da memoria (My room number is cucumber)(gl)

The Trilogy of Rhapsody - Shed(en)

A man is fascinated by the structures and environments surrounding him and willing to break external and internal limitations to approach them.

Tongue(el)

Tracing the life of activist Costis Achniotis, the film develops within the history of the Cypriot radical Left and the bicommunal movement for reunification. In parallel quests between the past and present and with an auto-ethnographic approach, the filmmakers bring together personal artifacts, new and archival material, exploring the dialectics and poetics of the ethnic clash and division in Cyprus.

Bernard Bovet le vieil homme à la caméra(fr)

Xulia(es)

Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.

Mémoire entre deux rives(fr)

Portraits and Dreams(en)

Revisit photographs created by Kentucky school children in the 1970s and the place where their photos were made. Photographer and artist Wendy Ewald, who guided the students in making their visionary photographs, returns to Kentucky and learns how the lives and visions of her former students have changed.

The Wolf Suit(en)

How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.

The day he decided to leave(pt)

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

A Landscaped Area Too Quiet for Me(es)

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

Yurei (Ghosts)(es)

The veiled story of Japanese diaspora in Mexico and the endurable impact of historic silence in its descendants is portrayed through testimonies and an exploration of landscape and choreography, questioning the formation and theatricality of individual and collective identity. When everything that's left of history are memories, how are invisible wounds healed? Yurei goes through different zones in Mexico towards an exploration of memory.

Las llaves de la memoria(es)

Cycle of Memory(en)

Mel Schwartz escaped the Great Depression on a bicycle adventure he'd remember for the rest of his life... until Mel lost his memory to Alzheimer's. Now over seventy-five years later, his grandchildren set out to recreate his life-changing journey and find those memories before they slip away. Cycle of Memory explores the importance of intergenerational connection, healing painful pasts, and leaving a meaningful time capsule for the future.

I Am Trying to Remember(fa)

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

I'm Not From Here(es)

Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.

Resistencia(es)

In Asturias, the Duro Felguera company dismissed 232 employees in 1993. From then on, a ten-year struggle began for the workers to be reinstated. "Resistencia" is the story of a workers' struggle that ended up triumphing.

Ashes(es)

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

On Memory(en)

Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.

Aqueducts(es)

Aqueducts transport water. Images transmit the memory. Images of aqueducts are useless.