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The Trap Door(en)
A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.
A French Cigarette(en)
Two New York poets talk about art, poetry, and smoke in this French New Wave inspired short.
Streetwalkin' Cowboy(en)
A delusional man in a modern day city dresses, acts like, and has the mindset of a cowboy.
Vortex(en)
A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.
The Ballad of Sexual Dependency(en)
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
Lydia Lunch: Video Hysterie: 1978 - 2006(en)
This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.
Only You(en)
In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.
Vincent Gallo as Flying Christ(xx)
Ecstatic Stigmatic(en)
No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.
Sprung ins Leere(de)
Gwen turns invisible: to search for her own way of life and to be able to secretly study those of others. With an unpredictable outcome...
Runanubandha - The He Without Him(bn)
Runanubandha, spiritually, refers to body’s memory – both genetic and memory of intimate physical connect. It is this memory which is said to bind a parent and a child, a husband and a wife or any other intimate relationships. The film explores Shatarupa’s search for her father in Kolkata. She finds the voice of her father in a young man. The paternal traits draw her towards him, but she finds herself trapped elsewhere between emotional complexities and simplicity. The film also draws a parallel with Hindu mythological tale of Lord Brahma, who was attracted to his own daughter Shatarupa
Baaram(ta)
Karuppaswamy, a widowed night watchman, lives in a small town in Tamil Nadu with his sister and three nephews. While returning from his shift one morning, he breaks his hip in an accident. Though his nephews want him to be treated in town, his son Senthil takes him to their ancestral village to be healed by a traditional healer. After a few days, Karuppaswamy dies. At the funeral, one of his nephews hears something that makes their blood run cold...
Plane Tree(tr)
Mustafa lives in Kars with his 8 years old disabled son Rıza and his wife Suna.
Music(en)
Zu, a free spirit estranged from her family, suddenly finds herself the sole guardian of her half-sister, Music, a teenager on the autism spectrum whose whole world order has been beautifully crafted by her late grandmother. The film soon challenges whether it is Zu or Music who has a better view of the world, and that love, trust, and being able to be there for each other is everything.