Parragirls Past, Present – Unlocking Memories of Institutional 'Care'

Our Ark(en)

OUR ARK is an essay film on our efforts to create a virtual replica of the real world.

Con Traje y Sin Zapatos(es)

I Am Trying to Remember(fa)

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

On Memory(en)

Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.

The day he decided to leave(pt)

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

Bernard Bovet le vieil homme à la caméra(fr)

Xulia(es)

Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.

The Wolf Suit(en)

How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.

Ashes(es)

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Double Around the Interlude(en)

A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.

Resistencia(es)

In Asturias, the Duro Felguera company dismissed 232 employees in 1993. From then on, a ten-year struggle began for the workers to be reinstated. "Resistencia" is the story of a workers' struggle that ended up triumphing.

I'm Not From Here(es)

Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.

Yurei (Ghosts)(es)

The veiled story of Japanese diaspora in Mexico and the endurable impact of historic silence in its descendants is portrayed through testimonies and an exploration of landscape and choreography, questioning the formation and theatricality of individual and collective identity. When everything that's left of history are memories, how are invisible wounds healed? Yurei goes through different zones in Mexico towards an exploration of memory.

The Picture of Dora(pt)

A grandmother takes her granddaughter to visit her past memories through old photographs.

A Landscaped Area Too Quiet for Me(es)

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

Tongue(el)

Tracing the life of activist Costis Achniotis, the film develops within the history of the Cypriot radical Left and the bicommunal movement for reunification. In parallel quests between the past and present and with an auto-ethnographic approach, the filmmakers bring together personal artifacts, new and archival material, exploring the dialectics and poetics of the ethnic clash and division in Cyprus.

The Trilogy of Rhapsody - Shed(en)

A man is fascinated by the structures and environments surrounding him and willing to break external and internal limitations to approach them.

Mémoire entre deux rives(fr)

Blue Room(en)

Incarcerated participants in a mental health experiment watch videos of sunset-soaked beaches, wildflowers and forests on loop, prompting them to reflect on isolation and wilderness. Equal parts meditation and provocation, Blue Room identifies the damage done by withholding access to the outdoors and how we are all prisoners when the essential human need for communion with nature is denied.

At Times I Imagine Seeing The Light Reflect Upon The Wire(es)

There is a distance, emotionally not only physically, between Jimena and her grandmother, Miri. This is a way to try and get closer, to understand, to accept, mixing past and present she tries to find her grandmother, in an attempt to reconnect with something that once existed, but that it no longer does.