Summer

Cameras Pointed Straight into the Sun(en)

Two criminals take a trip up the coast of California. As they arrive at a small town- what should just be a small stop on the way- one of them begins to feel as though they've been their before.

Noite de Lamentações (Night of Wails)(pt)

Cormorant(en)

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

Ground Control(de)

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

Estrelas(pt)

The Parrot(bs)

A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.

Aftertaste(pl)

Deux fois(fr)

A series of disconnected, minimalist vignettes often featuring Raynal herself, deliberately repeating actions and dialogue to challenge traditional storytelling. The film explicitly seeks to deconstruct cinematic meaning and the conventional portrayal of women in film, serving as a radical, self-aware diary film.

Antiporno(ja)

Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.

The Olympean Collection(en)

The Olympean Collection is a visually poetic trilogy set against the vast landscapes of East Africa, following Daisy and a Boy Scout as their search for eternal youth spirals into a surreal odyssey of memory, loss, and transformation.

Amtrak to Baka(en)

An experimental summation of the connective space and sense of re-discovery between two people in a long-distance relationship.

Lost Case(cs)

A completely new story based on existing footage from the series Columbo.

Apple Pie(en)

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

The Suicide Squeeze(en)

A fascinating case of narrative deconstruction, THE SUICIDE SQUEEZE is a '40s style whodunit pressed through the wringer of an optical printer.

Americana Kamikaze(en)

NYC’s genre-bending Temporary Distortion mines the worlds of Japanese ghost stories and J-Horror in Americana Kamikaze. Inside one of Temporary Distortion’s signature box structures, an East-meets-West psychological horror story unspools, complete with vengeful spirits, impossible physical manipulations, elliptical storylines, nightmarish cinematography and stunning visuals. Temporary Distortion has been making new works that seamlessly blend theater, cinema and installation since 2002. Their work has been presented in the US, Canada, France and Austria.

Book of Dreams: Welcome to Crateland(en)

Mona relates her dream. Crawling through an apparently endless wooden crate, she encounters diverse characters while the crate itself is moving towards a fiery destruction.

Isabelle aux Dombes(fr)

Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

Wedlock House: An Intercourse(en)

We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. It's night, she sees his reflection in the window, she closes the drapes. After sex, again in a black and white negative, they sit, smoke, have coffee. They kiss, she smiles. They light candles. The images are often quick, the camera angles occasionally are off kilter; the room is sometimes dark and sometimes lit, as if lit by the rotating of a searchlight. The images again appear in negative when they return to bed.

Night of Pan(en)

A magician encounters the void that separates the human mind from divine consciousness and in turn faces the mad god.

Moonlight People(ru)

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).