Rekordåren 66/67/68

När Domus kom till stan(sv)

A documentary about Domus department stores in Sweden.

A Pizza in Jordbro(sv)

The fifth movie of the kids from a school class in Jordbrovägen which the director has followed for over 24 years allows the now adult children through interviews talking about their lives. This is interspersed with inklipp from their everyday life and work, as well as clips from the previous movies.

A Respectable Life(sv)

"A Respectable Life" - A decade has gone by and the spirit of the preceding film, Dom kallar oss mods, has disappeared. Kenta is an alcoholic and lives with his girlfriend Eva. Together they have a son, Patric. Kenta's mom is in jail for manslaughter and Kenta goes to Kronoberg to greet her. Heroin also comes to play and Stoffe is one of those who falls victim to it. He lives with his girlfriend Lena and their young son, Janne. Lena later throws Stoffe out their home when she gets enough of his abuse, and he is forced to live with his mother. Kenta calls Stoffe and decides to meet him, and he tries to persuade him to give up heroin, but the two have a falling out and they separate. This film features other users from the previous film, such as Jajje and Kenta Bergkvist. The film ends with the death of a prominent person in the trilogy.

Misfits to Yuppies(sv)

Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.

Stadens själ(sv)

Father of the City(sv)

A film about "the father" of Malmö Eric Svenning and how the city has developed during his time.

The Stone Face(sv)

After losing his son in a traffic accident and his wife to mental illness, Harry moves to a gloomy Stockholm suburb. A local youth gang is harassing the neighborhood and Harry comes up with the idea of hiring the gang to kill the bureaucrats who are responsible for the construction of the suburb. The film is a fierce critique of the political project of building suburbs designed only for workers to sleep in and also wants to have a say in the debate over nature vs nurture.

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Mano a Mano(en)

Duende without an arena, in the shadow of the Méjan chapel in Arles, Mano a Mano is neither a duel nor a duo. But an eloquent hand-to-hand encounter with words. The poetry of life versed directly into the microphones.

Ceremonial(en)

A short film exploring the ritual practices among indigenous First Nation tribes in North America.

The Last Bread(en)

After 17 years in business, La Villita Bakery in Williamsburg, Brooklyn was forced to close its doors. A victim of rising rents and rapid gentrification, this family owned business was a staple of the working class community that once could afford to live in the area. Chronicling the final days of this beloved bakery, The Last Bread (2013) captures the death of yet another small business in an increasingly homogeneous New York City. La Villita was located on the corner of Grand street and Bedford Ave, the division between the North and the Southside of Williamsburg.

Avaton(el)

Mount Athos is a peninsula situated in Northeastern Greece, the home of 20 Christian Orthodox monasteries and the largest area on earth where access is reserved to men alone. Female animals are banned too, except for cats, songbirds and insects. Throughout the film women discuss a place they have no access to and their ideas and points of view interconnect and take us all the way to the forbidden land. Since the female duo that directs Avaton is unable to visit the peninsula, they decide to reconstruct Athos by using material filmed anywhere but there, animations and reworked archival material.

Misery Loves Company(en)

A documentary presenting the behind the scenes of Rob Reiner's classic "Misery", with Reiner himself, Kathy Bates, James Caan, Frances Sternhagen, writer William Goldman, Barry Sonnenfeld (the film's cinematographer) presenting their views on the film years later of its release and the impact "Misery" had in their professional lives.

Andre Matos: Maestro of Rock(pt)

"Maestro do Rock" started when Andre Matos himself authorized recording interviews where he would talk about his life and the different phases of his career. Directed by Anderson Bellini and produced and scripted by Thiago Rahal Mauro, the document had it starting point in a long interview where Andre Matos spoke for over 5 hours about all sort of different subjects. With his sudden passing in 2019, the family yielded this material as well as hundreds of other ones from his personal archives so that this film could be finalized.

Messi vs Ronaldo, la course aux étoiles(fr)

Blow Your Mind(en)

Alabama native, Destin, is driven to reveal the extraordinary science behind the jobs, missions, and obsessions of ordinary people.

101 Roles 102 Lifes, Bajrush Mjaku(mk)

Documentary feature film focusing on the life and career of Bajrush Mjaku, a ground-breaking actor who was active and still inspiring the Theaters in Balkans and worldwide. A superstar in the art world, but little known outside the theaters professionals and audiences, why does Bajrus Mjaku continue to excite passions? This brilliant, gifted and visionary actor, father and grandfather give us his story overlapping some half of the century of professional success and dedication to his family, through most hard times to represents his Albanian culture. Always keeping his family together, always make audiences applause, smile and cry to his performance on the scene. His mission is Acting, and his Acting is the mission.