När Domus kom till stan(2004)

A Pizza in Jordbro(sv)

The fifth movie of the kids from a school class in Jordbrovägen which the director has followed for over 24 years allows the now adult children through interviews talking about their lives. This is interspersed with inklipp from their everyday life and work, as well as clips from the previous movies.

Father of the City(sv)

A film about "the father" of Malmö Eric Svenning and how the city has developed during his time.

Soulless City(sv)

A Respectable Life(sv)

A decade has gone by and the spirit of the preceding film, Dom kallar oss mods, has disappeared. Kenta is an alcoholic and lives with his girlfriend Eva. Together they have a son, Patric. Kenta's mom is in jail for manslaughter and Kenta goes to Kronoberg to greet her. Heroin also comes to play and Stoffe is one of those who falls victim to it. He lives with his girlfriend Lena and their young son, Janne. Lena later throws Stoffe out their home when she gets enough of his abuse, and he is forced to live with his mother. Kenta calls Stoffe and decides to meet him, and he tries to persuade him to give up heroin, but the two have a falling out and they separate. This film features other users from the previous film, such as Jajje and Kenta Bergkvist. The film ends with the death of a prominent person in the trilogy.

Misfits to Yuppies(sv)

Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.

Rekordåren 66/67/68(sv)

Critical documentary about urban planning in the city of Stockholm. Made by students at the Swedish Film Institute's film school. The film created a great debate in Swedish media and especially between the film institute's CEO Harry Schein and the filmmakers.

The Stone Face(sv)

After losing his son in a traffic accident and his wife to mental illness, Harry moves to a gloomy Stockholm suburb. A local youth gang is harassing the neighborhood and Harry comes up with the idea of hiring the gang to kill the bureaucrats who are responsible for the construction of the suburb. The film is a fierce critique of the political project of building suburbs designed only for workers to sleep in and also wants to have a say in the debate over nature vs nurture.

The Wanted 18(en)

Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared "a threat to the national security of the state of Israel."

Chop My Money(en)

A day in the life of three street kids in the Eastern Congo. Featuring music by Dirty Beaches.

Blessed Blessed Oblivion(ar)

BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.

Ariadne(nl)

The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.

Hawaii: A Voice for Sovereignty(en)

The goal of Hawaii, a Voice for Sovereignty is to raise awareness of the issues that threaten the Hawaiians ancient and once-environmentally-sustainable culture. It is an epic documentary about Hawaiian spirituality and the peoples close connection to the land. It focuses on the complicated social, economic and ecological issues that have arisen in Hawaii since the overthrow of Queen Liliuokalani by the United States in 1893. For Hawaiians, sovereignty is the legal, political and moral right to live on and care for the land; build and grow a sustainable economy; protect natural resources; practice spiritual and cultural traditions; honor their ancestral past; and care for family and community. The film is in the voice of native Hawaiian people who address the issues they continue to face in their long struggle to regain sovereignty over their rights and the native lands lost after the U.S. businessmen and military overthrew the Kingdom of Hawaii.

How Bizarre: The Story of an Otara Millionaire(en)

How Bizarre starts with Pauly at the height of his fame, appearing twice on the UK music show “Top of the Pops”, sharing the stage with Cher, the Spice Girls, Bryan Adams, Back Street Boys, Sheryl Crow and other ‘90s music icons, and then rewinds to show his rise from the mean streets of Otara to musical stardom.

The Thirst of a Stone Sea(sr)

Cuce, the most arid, most remote and most deserted region of Montenegro. Where 17th century met the 21st, where the reality is often surreal. One goat shepherd mourns for heroic times and great men... One man builds a road with his bare hands... One office is always open... One young woman is ready to live in a cave for love... One cow-boy is obsessed by roots... One charcoal maker surveys world politics... How long can this authenticity of life remain untouched...!?

Memories of a Nazi Camp(fr)

Holocaust survivors describe their experiences being interred at the Natzweiler-Struthof concentration camp.

La traque de l'affiche rouge(fr)

I'm not unhappy(fr)

Film student Laïs Decaster trains her camera on her close-knit group of friends to capture daily life in the suburb of Argenteuil, near Paris.

Les camps de concentration nazis - 1933 1945(fr)

Na krev(cs)

A time-lapse documentary capturing the eighth generation of the Kopecký family of puppeteers through brothers Rosťa and Vítek Novák at a key period in their existence - from 2014, when they acquired their own space called Jatka 78 and first sniffed at more ambitious projects with the new circus company Cirk La Putyka.

Prague, March ’92(de)

Prompted by a seminar given by acclaimed German filmmaker Peter Nestler, Prague, March '92 combines 16mm footage shot over the course of a week in the title city with excerpts from Bohumil Hrabal's essay "The Magic Flute," which considers the 20th anniversary demonstrations in Prague to commemorate the death of Jan Palach, who immolated himself in January 1969 to protest the Soviet invasion.