Long Film for Ambient Light

Sandra of the Tuliphouse or How to Live in a Free State(en)

Past and present life in the anarchistic "free city" of Christiania, in Copenhagen, Denmark. In Sandra of the Tuliphouse or How to Live in Free State, Christiania is approached at face-value, as a self-described laboratory of freedom, an environment that provides an almost unparalleled opportunity to unravel a very particular history of markedly contrasting power relations and vivid social forces. Borrowing from the usually disparate practices of cultural geography and fictional narrative, the project is constructed as a visual, spatial, and aural investigation of the site. The situation at Christiania in 2001 is compared with its distant past as a military base, its more recent utopian regeneration, and its possible future.

Head Rag Hop(en)

A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.

Magnetic Scramble(ja)

Magnetic Scramble is the first video work by Toshio Matsumoto. Here, the artist manipulates television images (of student demonstrations against the U.S.-Japan Security Pact) by holding a magnetic coil next to the monitor. Matsumoto later incorporated this piece into a scene of his film Funeral Parade of Roses (1969).

The Big Departure(fr)

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

Chance Encounters With Oxygen(en)

A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.

Jeune femme à sa fenêtre lisant une lettre(fr)

Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»

Pensando em Pluralidade(pt)

Brise-glace : Bateau givre(sv)

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

Black and White Trypps Number Four(en)

Using a 35mm strip of motion picture slug featuring the recently deceased American comedian Richard Pryor, this extended Rorschach assault on the eyes moves out of a flickering chaos created by incompatible film gauges into a punchline involving historically incompatible racial stereotypes.

Trypps #5 (Dubai)(en)

A short treatise on the semiotics of capital, happiness, and phenomenology under the flickering neon of global capitalism.

Black and White Trypps Number Two(en)

"A fine fine example of spaces between existing as objects themselves. A patternistic and memorializing offering to natural totems. Two kinds of reversal at play involving black and white as well as reflection and overlap. These simple elements create a hurried maze of twisting antler branches, twigs, and dissected slices of pure “space.” I can hear the crackling fires, echoing elk calls and frosty despair…" - JT Rogstad, The International Exposition

Theodore of the Absurd(en)

A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.

Metastasis(xx)

Writes Matsumoto, "I used the Erekutoro Karapurosesu (Electro Color Processor), which is mainly used in the field of medicine and engineering, to create moving image textures Metastasis, I was interested in layering images of a simple object and its electronically processed abstraction. The electronic abstract image is manipulated in a certain rhythm, depicting an organic process."

Rey(es)

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.

Home Away From Home(ja)

A taxi driver, a young girl and a backpacker simultaneously experience a wonderful journey in Tokyo, where they find connections to their own homes in Africa, Europe and Southeast Asia.Throughout their journey, they run into the same Japanese woman named Akiko. Meanwhile, a writer in Paris recalls her encounter with Akiko in Tokyo.

Blue(ja)

A work that spun a story inspired by the world view of the song "You Named Me Blue" by jazz singer Yurifa Matsumoto. A short film that you want to see with your right brain, like watching a painting in a museum.

Colossal(tl)

Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.

Islands(tl)

ISLANDS explores a cinematic journey of two astronauts. As they enter Earth’s atmosphere the structure transforms. The spacecraft becomes the meteor from a myth of a tribesman; it triggers an old lady’s memory of a lover from her past. As these diverse characters converge in a plane of reality, we confront a particular form of gravity we covertly feel—falling in love.

Todo Todo Teros(en)

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Refrains Happen Like Revolutions in a Song(tl)

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

Live Aid(en)

Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

Kingdom Hospital(en)

Stephen King's take on the masterpiece series by Lars von Trier. The story takes place in a hospital in Lewiston, Maine, built on the site of a Civil War-era mill fire in which many children died.

The Godfather Trilogy: 1901-1980(en)

Following the release of The Godfather Part III in 1990, Coppola, Barry Malkin, and Walter Murch edited the three Godfather movies into chronological order. As had the earlier compilations, this film incorporated scenes that are not part of the theatrical releases.

The Untold History Of The United States(en)

Oliver Stone charts the history of the United States from the Second World War to the present.