The Queen of Versailles
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Self - Miss America
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American Mirror - Intimations of Immortality(en)
Oscar-winning screen icon Susan Sarandon and Armenian painter Tigran Tsitoghdzyan discuss time and identity, and how the apparently in conflict values of beauty and aging are perceived in our modern society dominated by social media, as he limns her portrait during a timeless sitting session. With this film the director sets in motion his film theory on poetics of cinematic art, by re-creating a set of sense memories of an artist in a non-linear, challenging, yet intriguing story-telling scheme.
A Portrait of Ga(en)
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Bigger Than Us(en)
For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today.
The Decline of Western Civilization(en)
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Young At Heart(en)
Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
Angry Inuk(en)
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Deshilando Luz(es)
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
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