Stitching Palestine(2017)
Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery. Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail. Through their stories, the individual weaves into the collective, yet remaining distinctly personal. Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.
Movie: Stitching Palestine
Top 10 Billed Cast
herself
Similar Movies
All Wars are Bankers' Wars(en)
The United States fought the American Revolution primarily over King George III's Currency act, which forced the colonists to conduct their business only using printed bank notes borrowed from the Bank of England at interest. After the revolution, the new United States adopted a radically different economic system in which the government issued its own value-based money, so that private banks like the Bank of England were not siphoning off the wealth of the people through interest-bearing bank notes. But bankers are nothing if not dedicated to their schemes to acquire your wealth, and know full well how easy it is to corrupt a nation's leaders. Just one year after Mayer Amschel Rothschild had uttered his infamous "Let me issue and control a nation's money and I care not who makes the laws", the bankers succeeded in setting up a new Private Central Bank called the First Bank of the United States, largely through the efforts of the Rothschild's chief US supporter, Alexander Hamilton.
L'Olivier(fr)
Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.
After Spring(en)
Close to 80,000 Syrian refugees live in the Zaatari Refugee Camp in Jordan, the second-largest such camp in the world. Fifty-eight percent of its inhabitants are children. After Spring immerses us in the rhythms of the camp, the role of the aid workers, and the daily lives of two families as they contemplate an uncertain future.
Bil'in Habibti(en)
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
Peshmerga(fr)
From July to December 2015, with a camera team in tow, Bernard-Henri Lévy journeyed 1,000 km along the frontline separating Iraqi Kurdistan from Islamic State troops. The journey resulted in an illustrated logbook offering a special insight into an unfinished war with a global impact. Alongside the Peshmergas – Kurdish fighters imbued with a spirit of unfailing determination in their fight against obscurantism and jihadism, the film takes us from the heights of Mosul to the heart of the Sinjar mountains, passing the last Christian monasteries threatened with destruction along the way. A tale peopled by real characters, men and women whose faces are rarely seen...
Vittne till sin samtid(sv)
As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.
Cod Wars(is)
It’s now 40 years since the end of the Cod Wars between Britain and Iceland. During the 1950s and 60s, Britain consumed 430,000 tons of cod each year, but as the stocks started to diminish the livelihoods of fishing communities in both countries were at stake. Iceland took steps to protect their fishing industry - the mainstay of their economy - resulting in the three so-called Cod Wars. This was a David and Goliath struggle, where the small fleet of Icelandic gunboats were pitted against the British trawlers and the Royal Navy in the North Atlantic. This Icelandic film, made in 2001, tells the story from both sides and reflects on the impact of the Cod Wars in Grimsby and Hull.
North(ku)
Bakur (North) is a documentary that invites its audience to reflect on a war that has been continuing for decades and gives an insightful look on its main subject, the PKK. The film follows the lives of the guerilla in three different camps on the Kurdish region (north) that lies within Turkish borders.
Black Bus(he)
Sara writes a harsh blog about the bleak lives of Haredi (Ultra-Orthodox) women. Shulamit is an independent photographer who documents violent incidents on segregated busses on which women are required to seat at the back. Both of them were banned by their communities because of their desire to live normal, unsuppressed lives. These young women operate entirely alone and pay a very high price for violating the number-one rule of Haredi society: "Never air a dirty laundry in public." As they expose the violence of Haredi fanatics, acting in the name of modesty, they are punished by persecution and vilification. What will happen to them when they can no longer bear being shunned by their own family and friends? Wich way will they choose? where will they go? Black Bus, Soreret, tells the story of their singlehanded and courageous attempts to document and lead a change in the Haredi Society from which they have fled.
Y1: Silence of the Deep(el)
14 September 1943: The legendary submarine Y1 “Katsonis” was sunk north of the island of Skiathos by the German submarine chaser UJ 2101. Through the book of XO Elias Tsoukalas who escaped capture and had to swim for nine hours to reach shore, secret documents, and crew members’ diaries, the documentary unfolds the human stories woven around the submarine. Seventy-five years later, with the support of the Hellenic Navy, we search for the submarine sunk at 253 metres depth and film the wreck for the very first time.
1948: Creation & Catastrophe(en)
The shocking story of the establishment of the state of Israel told from the perspective of those who lived through the end of the British Mandate for Palestine in 1948.
The Good Soldier(he)
A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.
Take 3(he)
A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?
Fahrenheit 9/11(en)
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
Yallah! Underground(en)
Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.
Der Jungfrauenwahn(de)
For young Muslims who live in a free society, how is the culture of origin of the parents compatible with their own wishes? What significance does the commandment of virginity have?