Métro

Lila(fr)

EXPO 67 Mission Impossible(fr)

This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.

This Beggar's Description(en)

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

Fredy(fr)

My Name Is Susan Yee(en)

Young Chinese-Canadian Susan Yee gives a tour of Montreal.

No entry(fr)

Prohibited, abandoned, and unexplored sites are hidden and sealed in Montreal. Entering defies the law, danger, and death. The urbex community is an even better-kept secret. Enter into this universe at your peril.

In unison(fr)

Je suis finissant(fr)

Quartiers sous tension(fr)

Le dernier souffle, au cœur de l'Hôtel-Dieu de Montréal(fr)

The End Of The Line: Rochester's Subway(en)

"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.

Les héritiers(fr)

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

24 hodin pražského metra(cs)

How They Dug the Victoria Line(en)

First transmitted in 1969, this documentary follows the construction of the world’s most advanced underground system. Macdonald Hastings narrates the story of one of the most complex tunnel engineering feats of its time. He reveals the isolation felt by the miners who spent six years burrowing deep beneath the streets of London, shows what they did beneath one of London's most famous department stores and explains why the ground at Tottenham Court Road had to be frozen during the hottest weeks of 1966. The result is a brave new world of transport with automated trains, two way mirrors, automatic fare collection and closed-circuit television, all choreographed by a computer programme played out by an updated version of a pianola located in a control room somewhere near Euston station.

Baggages(fr)

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

Appendix(pt)

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

Coller pour crier(fr)

On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.

Elevator Pitch(en)

A depiction of New York’s subway as an absurd obstacle course – revealing a system that shuts many out of a city in motion.

Montréal la nuit(fr)

By Woman's Hand(en)

In 1920 a group of young Montreal women artists formed the nucleus of what would later become known as the Beaver Hall Hill Group. Members recount how they created an artistic environment of mutual support that lasted for more than three decades.