Fredy(NaN)

Les héritiers(fr)

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Baggages(fr)

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

In unison(fr)

Burlesque(fr)

Student documentary exploring the world of burlesque as a space for artistic expression and personal liberation, where performers channel their creativity and sensuality. Through their voices, they speak about the power of the stage to reconnect with their bodies and establish a deep connection with the audience. Burlesque is presented as a feminist, inclusive, and supportive environment, celebrating gender and body diversity. The action takes place at the Wiggle Room, located in Montreal. It is the only burlesque cabaret in Canada, known for its warm atmosphere and strong sense of community.

Quartiers sous tension(fr)

Three Comrades of Montréal(it)

Giovanni, Francesco and Salvatore have passed the age of 80 and are proud to still consider themselves communist or socialist comrades. All three left their impoverished villages in southern Italy during the post-war years and, once settled in Montreal, maintained close links with parties of the Italian left, while militating in progressive Canadian unions and parties.

No entry(fr)

Prohibited, abandoned, and unexplored sites are hidden and sealed in Montreal. Entering defies the law, danger, and death. The urbex community is an even better-kept secret. Enter into this universe at your peril.

Strangers for the Day(en)

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

Show Girls(en)

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.

Monsieur(fr)

Coller pour crier(fr)

On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.

My Name Is Susan Yee(en)

Young Chinese-Canadian Susan Yee gives a tour of Montreal.

Scoppa et moi(fr)

Corno(fr)

A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.

Ashtam (viens me voir)(fr)

Voltige(uk)

Anna, a twelve-year-old Ukrainian gymnast, has fled her war-torn country and recently settled in Montreal with her mother, younger brother, and grandmother. Confronted by the past, the challenges of exile, and a deep need for belonging, she seeks to rebuild her identity and regain her balance. Through her child’s perspective, the documentary explores the reality of life after war, questioning what endures and what is missing, even when one has found refuge.

La plaque tournante(fr)

Le Horse Palace(fr)

Once one of the most densely populated neighborhoods in the country, Griffintown (in the heart of Montreal) is now dotted with vacant lots and uninhabited areas. But just around the bend, at the end of a dirt alley, the sun still rises over the Horse Palace. Leo Leonard, its owner, stands alone, fragile, like the place that embodies his whole life. At 83, Leo, the last representative of the Irish community that founded the neighborhood, must resign himself to leaving the premises.

It Will Always End in the End(fr)

Gabriel Drolet-Maguire, a designer living in Montreal, takes us into their artistic world to discuss their HIV diagnosis. This is a timely and hopeful look at past and present day HIV/AIDS activism in Quebec.

Roger D'Astous(fr)

A documentary about Montreal architect Roger D'astous, who battled all his life to create a Nordic architecture. A star architect in the 60s, and Frank Lloyd Wright student, he fell from grace before rising again at the dawn of the century.