Supported by the works of poet/musician Claude Miller, the film portraits a snippet of brazilian reality.
1986-01-01
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0.0This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.
5.6Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
6.9Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
5.5Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.
4.4In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…
7.0The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
0.0Rosso Fiorentino's painting "The Deposition of the Cross" comes to life. The Christ is gradually removed from his cross by the biblical characters who surround him.
4.8Italian immigrant kidnaps a wealthy British woman, and they fall in love.
10.0Return to 'burn' only to find out you're already in that urn.
10.0(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion."
0.0Exploring the duality between friendship and loneliness, this intimate narrative short tells the story of David, a bright young boy struggling with a broken home life, as he tries to reconnect with his childhood best friends as they search for something to do in their small suburban town.
7.0The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
0.0Five teenage girls gather for a party. Tensions mount as the guests exchange makeovers and hurl accusations. Tears in the bathroom lead to a ghostly kiss. In a circle around the Ouija board, they invoke a spirit. Their faces float in blackness. Five pairs of painted nails caress the planchette as it moves, swirling pale arms behind it. Our host becomes possessed. The characters overlap. Which of these women is not herself? Uzi's Party is a short experimental narrative written, directed and edited by Lyra Hill. All five characters are played by her sister Johanna Hill. Uzi's Party was filmed entirely in-camera on 16mm film, by means of intricately plotted multiple exposures and a cast of thirteen body doubles.
Combining high definition and Super 8 footage, Lampedusa is composed of interwoven narratives based on a series of real events. In 1831, a volcanic island suddenly erupted from the sea a few kilometers off the southern coast of Sicily. An international dispute ensued, as a number of European powers laid claim to this newfound “land”. The island receded below sea level six months later, leaving only a rocky ledge under the sea…
6.0Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".
10.0Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
6.0From the re-appropriation of archive images with various contents (war images, soccer matches, social celebrations, religious rites, historical characters, etc.) and from different sources (including films by Chris Marker, Alain Resnais, Leni Riefenstahl or Gianikian and Ricci Lucchi, as well as images from ads and news...), together with reflections of Pierre Bourdieu, Zygmunt Bauman, Bertolt Brecht, Hannah Arendt, Stanley Milgram, Eric Hobsbawn, Amin Maalouf, Josep Fontana, etc., Zavan Films producer develops this complex and kaleidoscopic work on (national, religious, commercial...) identities and their relation with war, economic profit and "legal crimes".