End of Summer

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Exílio
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Exílio(pt)

2024-03-13

Olympia: Part One – Festival of the Nations
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Olympia: Part One – Festival of the Nations(de)

1938-04-21

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty
67%

Olympia: Part Two – Festival of Beauty(de)

1938-06-02

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Berlin: Symphony of a Great City
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Berlin: Symphony of a Great City(de)

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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Microcosmos
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Microcosmos(fr)

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A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

One Second in Montreal
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One Second in Montreal(en)

1969-09-25

A silent succession of black-and-white photographs of the city of Montreal.

La deuxième femme
0%

La deuxième femme(fr)

2008-11-30

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

The Scars
100%

The Scars(eu)

2019-03-12

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

vvvamor
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vvvamor(pt)

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A formally free poetic documentary filmed through a summer depression in northern Portugal.

Einstein on the Beach: The Changing Image of Opera
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Einstein on the Beach: The Changing Image of Opera(en)

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The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

P.M.
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P.M.(es)

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Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.

A Body Exploded into a Thousand Pieces
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A Body Exploded into a Thousand Pieces(es)

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A life marked by wandering. A character that leaves no traces or maps to trace. The file does not give an account of him. His works had no scripts and only existed in the fugacity of the moment. Jorge Bonino was an unclassifiable artist. He triumphed in all of Europe without a translator, he only used an invented language that everyone understood. An imaginary friend mapped the traces his body left in space through stories about a possible life.

Koyaanisqatsi
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Koyaanisqatsi(en)

1983-04-27

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Naqoyqatsi
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Naqoyqatsi(en)

2002-09-02

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Romantic Warriors IV: Krautrock (Part I)
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Romantic Warriors IV: Krautrock (Part I)(en)

2019-04-15

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

Chronos
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Chronos(en)

1985-05-10

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

23rd Psalm Branch
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23rd Psalm Branch(en)

1967-01-27

Made during the height of the Vietnam War, Stan Brakhage has said of this film that he was hoping to bring some clarity to the subject of war. Characteristically for Brakhage there is no direct reference to Vietnam.

Roberto Pires: Êle Fêz O Cinema Baiano Nascer
0%

Roberto Pires: Êle Fêz O Cinema Baiano Nascer(pt)

2024-06-24

Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.

Heterodyne
50%

Heterodyne(en)

1967-01-01

“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton

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