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Similar Movies
My Friend Ángel(es)
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
The Man's Name is Spade(en)
A psychological portrait of a disturbed man whose fragmented thoughts and experiences form the framework of an experimental narrative.
Acceleration(sh)
A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.
The Audition(en)
Florence Walker is an aspiring actress who's barely getting any auditions. After finding a sketchy casting call for a horror movie, she takes the opportunity in her desperation, but nothing is how it seems. On top of that, she experiences the horrors of anxiety and mental illness in this situation of complete presssure.
Superstar: The Karen Carpenter Story(en)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Begotten(en)
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Pangaea(bs)
Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.
The Whisper Stop(en)
Five passengers encounter a mysterious woman on a train. While we strain to hear their whispers, we are confronted by the passengers' reactions. Dark and secretive, this journey will leave you with questions playing on your mind.
Chelsea Girls(en)
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Twin Peaks: Fire Walk with Me(en)
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.
Thoughts and Visions of a Severed Head(fr)
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
Atmo HorroX(en)
Through a very surreal chase of spying and surveillance, Catafuse, a dubiously dressed "creature", hunts down specific human targets with the help of Molosstrap. But in a world completely run by the shadowy hands of the pharmaceutical industry, the lines of reality become so blurry and complex, that the mastering of insanity might just be the only way out...
Dyketactics(en)
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)
Evil Spirits(en)
A fun-loving, unsuspecting woman checks into a hotel and encounters a cannibalistic mass murderer who is possessed by evil spirits.
The Killer Walks Among Us(en)
A parking lot is haunted by the spirit of a dead killer who waits for the perfect moment to unleash spooks and thrills. Who will be next?
Karkalou(el)
In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver -- a man who has had some very unusual, puzzling, and inspirational experiences -- and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi
CFA Presents: Waxwing Slain (1968) by John Boggs (commentary by Charles Minnimatsu)(en)
A former student of a recently deceased and forgotten '60s filmmaker provides commentary to the late director's film, offering a unique interpretation as only he could.
The Illiac Passion(en)
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.
Memoirs of a Strangler of Blondes(pt)
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Crazy Love(pt)
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".