Das rosa Pantöffelchen

I Delete and I Judge(sh)

Brišem i sudim is a Croatian film. Only one minute of the film is saved.

The House of Hate(en)

A young heiress of an American gun factory is threatened by a masked man after her father was murdered. This criminal might be a member of her family or a German agent, who wants to get information about the factory's products, perhaps his mystery has a combined solution - we will probably never know...

A Fortune Hunter(sv)

Historical drama which features Gösta Ekman as the dashing rogue who steals the heart of the ethereal Mary Johnson.

A Scarlet Angel(sv)

The criminal couple Louise Kent and Charles Zukor stages a coup in the luxury restaurant Oriental. In the midst of a dance number goes suddenly all the lights out. In the confusion that arises one of the elegant guests is deprived of her jewelry.

Twin Beds(en)

A young husband just wants to spend a quiet evening at home with his wife, but her collection of zany friends make hash of his hopes.

The Valley of Hell(en)

In the Old West, a dashing hero saves a girl from bandits.

The Law Decides(en)

Mere years could not kill the overwhelming love which lay dormant in Lorenz's heart, though Florence was now the wife of another.

A Poet From The Sea(zh)

Hou Yao wrote, directed and starred in A Poet from the Sea (1927). It was shot in Stanley, Hong Kong. The surviving copy was only 23-minute long, but Hou Yao's romantic side was obvious through the scenic location and beautiful set-up. The love story between Poet (Hou Yao) and his lover (Lee Dan-dan) was pure and lyrical, a gem from China Sun Motion Picture Company (Shanghai) in the 1920s.

Behind the Screen(ru)

Famous Russian screen actors play themselves in this drama about the lives of actors. Thirteen minutes of the film survive.

Theater of Life: Youth Version(ja)

Die Flamme(de)

In 19th century Paris a hedonistic woman marries an aristocrat but has trouble keeping faithful to him.

Lily of Life(fr)

Loie Fuller, in her 1920 feature-length film Le Lys de la vie, […] explored the new technique for poetic ends, creating fleeting, dreamlike images that "freed" the medium from "illusionism" and imbued it with fantasy. A 17 minutes fragment is held at the Cinémathèque française.

The Blue Mouse(de)

Teddie Barker, an employee of the Searchlight Insurance Company, falls in love with Clara Brummer. Her father does not, at first, acquiesce to the engagement, but after persuasion agrees and attends the marriage of his daughter, and promises a dowry of £5,000 when the young man attains the position of branch manager in his company.

Dead Man's Curve(en)

A grease monkey discovers a defect in an auto engine being turned out by his employer. But since our hero discovers this only after losing an important race, his boss chalks up the loss to Fairbanks' supposed cowardice.

Drama in the Futurists' Cabaret No. 13(ru)

The Paul Street Boys(hu)

A couple of boy gangs in Budapest constantly fight over the neighborhood turf.

Devdas(bn)

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

One Stolen Night(en)

When his ne'er-do-well brother embezzles the commissary funds of their cavalry unit stationed in the Sudan, a British soldier takes the blame for him. He winds up deserting his post and joining up with a traveling vaudeville troupe. He falls in love with a pretty young woman in one of the show's acts but finds that a local Arab sheik has his own plans for the young girl.

The Golem(de)

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

The Desert Man(en)

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.