Dovzhenko and Solntseva's documentary about the Bukovina region.
Dovzhenko and Solntseva's documentary about the end of the war.
A 1943 Soviet documentary war film by Ukrainian director Alexander Dovzhenko and Yuliya Solntseva. It is Dovzhenko's second World War II documentary, and dealt with the Battle of Kharkov. The film incorporates German footage of the invasion of Ukraine, which was later captured by the Soviets.
In a behind-the-scenes look at the biggest political upset in recent history, Mark Halperin, John Heilemann and Mark McKinnon offer unprecedented access and never-before-seen footage of candidate Trump, from the primaries through the debates to the dawning realization that the controversial businessman will become the 45th President of the United States.
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
A moving account of the experiences of men exonerated after years, and sometimes decades, in prison following newly found DNA evidence.
Naomi seems like a typical nine-year-old girl, until her passion for powerlifting transforms her life with world record-breaking championships and national news headlines. Supergirl explores Naomi’s coming-of-age journey as she and her Orthodox Jewish family are changed forever by her inner strength and extraordinary talent.
Documentary feature about 11-time Jeopardy! champion and Internet iconoclast, Arthur Chu.
A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.
With being thrown off buildings an occupational hazard, professional stuntwomen Jeannie Epper and Zoë Bell (the alter egos of Wonder Woman and Xena, respectively) would seem well-equipped for any challenges Hollywood might dish out. But finding roles -- and respect -- in a male-dominated field can prove more harrowing than dodging punches.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.
Funny collage of sea, sun and ice. A show from the beach with skiers, tigers, mermaids and much more.
Is the story of women that were guerrilleras in Uruguay at the beginning of the 70's. Under an intimate focus, the film shows the moments of decision and the personal crossroads that it involve. The documentary search the experience and the look of common individuals in exceptional situations and goes to the bottom of the load of tensions, fears, contradictions and personal costs that those labor instants of the History have.
The body of Sinbad the Diver turned up floating off the Atlantic coast of Nicaragua. The mermaid had turned his soul into a turtle, and the turtle was the one who returned him to the world of men. Sinbad was born once more as a Miskito and was raised on the banks of the wonderful Coco River. When he grew up, nature took care of carrying him back to the sea, where the mermaid is waiting for him. The Mermaid and the Diver is a journey to Central America, to Nicaragua, to the Atlantic Coast, and to the Miskito people.
This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.