Drømmen om i Morgen(1945)

All the President's Men(en)

During the 1972 elections, two reporters' investigation sheds light on the controversial Watergate scandal that compels President Nixon to resign from his post.

The Cider House Rules(en)

Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?

All the King's Men(en)

The story of an idealist's rise to power in the world of Louisiana politics and the corruption that leads to his ultimate downfall. Based on the 1946 Pulitzer Prize-winning novel written by Robert Penn Warren, loosely based on the story of real-life politician Huey Long.

The Front(en)

A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.

City of Hope(en)

This gritty inner-city film follows various people living in a troubled New Jersey setting, most notably Nick Rinaldi, a disillusioned contractor who has been helped along his whole life by his wealthy father. Other characters in this ensemble drama about urban conflict and corruption include Asteroid , an unstable homeless person, and Wynn, an idealistic young politician.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

An Inconvenient Truth(en)

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

We Shall Overcome(da)

A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.

The Woman of Wrath(zh)

A woman, married off to an abusive butcher, is overpowered by the twin forces of patriarchy and tradition in Taiwan during circa 1920 to 1945.

La Chinoise(fr)

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Star Spangled Salesman(en)

A collection of television celebrities pitch United States Savings bonds.

The Flight(de)

When Dr. Schmith's proposal for international research on infant mortality is rejected, he decides to leave East Germany and strikes a deal with an escape agency that promises him a leading position at a children's hospital in West Germany. But then the decision is reversed: the project is approved and his international colleagues want Dr. Schmith to head the GDR section. Moreover, he falls in love with his new colleague, Katharina. Schmith initially tries to ignore the arrangements he made with the escape agency, but they blackmail him. Things soon turn deadly...

The Reckoning: Remembering the Dutch Resistance(en)

The documentary that captures the compelling story and eyewitness account of six survivors in war-torn Netherlands during World War II.

Chauka, Please Tell Us The Time(en)

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

The New Shelter(sq)

Film set in a remote mountainous area where work and living conditions are harsh.

Dixie Chicks: Shut Up and Sing(en)

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Anna Goldin, the Last Witch(de)

A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.

The Bride and the Curfew(sq)

Shpresa goes to the house of fascist collaborators to commit an assassination. After that, dressed as a bride, she becomes an illegal.

Una festa per la città - Venezia 1973(it)

Hello My Dear(tr)

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.