
Tulip Fever
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6.9The Tin Drum(de)
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
7.9Ben-Hur(en)
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7.7The Bridges of Madison County(en)
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
7.7Manhattan(en)
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7.1Finding Forrester(en)
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7.3Murder She Said(en)
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7.0Murder Most Foul(en)
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8.5GoodFellas(en)
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8.0The Wages of Fear(fr)
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7.9Rebecca(en)
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7.2The Outsiders(en)
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7.3The Blue Angel(de)
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8.7The Godfather(en)
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8.6The Godfather Part II(en)
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7.9Twelve Angry Men(en)
Twelve Angry Men is a 1954 teleplay by Reginald Rose for the Studio One anthology television series. Initially staged as a CBS live production on 20 September 1954, the drama was later rewritten for the stage in 1955 under the same title and again for a feature film, 12 Angry Men (1957). The episode garnered three Emmy Awards for writer Rose, director Franklin Schaffner and Robert Cummings as Best Actor.
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6.0Glorious 39(en)
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6.0Youth in Oregon(en)
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5.7Playing Mona Lisa(en)
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7.5Last Conversations(pt)
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5.9Earthquake Bird(en)
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Anna and Will, were each other’s first every-things: first kiss, first love, first and only relationship. Now, 10 years in, at Anna’s 30th birthday party, as Will is about to propose, the couple’s best friend makes a drunken toast, suggesting that they should sleep around before their inevitable marriage. The joke lands like a lead balloon, but the thought lingers until Anna proposes that they try opening their relationship – as a sexual experiment.
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Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?









