Vivian Mend - Typist
Elizabeth Stern
Gordon Stern
Three reporters and an office girl are trying to stop a bacteriological strike by some powerful western business leaders against the USSR.
1926-10-01
5.6
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Lord Angus Cameron's marriage to a woman of his titled Scottish class is thwarted by his secret marriage years before to Marion Hume, the housekeeper of the castle. Cameron attempts to repudiate the marriage, the only record of which is a certificate in the sunken wreck of a yacht, The White Heather. Marion goes to court to prove her claim and secure the rights of her son by Cameron, but is defeated. Alec McClintock, who is in love with Marion, and Cameron both want to recover the record, so they don diving suits and descend to the wreck. An underwater struggle ensues and Cameron severs his own air tube and drowns while attempting to cut off his rival's air supply. Alec then recovers the marriage record and wins Marion. —AFI
Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.
This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.
Pierre and Jacques are working as waiters at a restaurant where the cooks go on strike. When the two are forced to work as bakers, the striking cooks put dynamite in the dough, with explosive results.
The Tramp interferes with the celebration of several kid auto races in Venice, California (Junior Vanderbilt Cup Race, January 10 and 11, 1914), standing himself in the way of the cameraman who is filming the event.
Although only a dental assistant, Charlie pretends to be the dentist. After receiving too much anesthesia, a patient can't stop laughing, so Charlie knocks him out with a club.
Mabel tries to sell hot dogs at a car race, but isn't doing a very good job at it. She sets down the box of hot dogs and leaves them for a moment. Charlie finds them and gives them away to the hungry spectators at the track as Mabel frantically tries to find her lost box of hot dogs. Mabel finds out that Charlie has stolen them and sends the police after him. Chaos ensues.
A tramp gets drunk in a hotel lobby and, upstairs, causes some misunderstandings between Mabel, two hotel guests across the hall from her room, and Mabel's visiting sweetheart.
Three men compete for the attentions of a pretty girl. One of them, a little tramp, plays dirty.
Charlie plays an actor who bungles several scenes and is kicked out. He returns convincingly dressed as a lady and charms the director, but Charlie never makes it into the film.
The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.
A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.
Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.
Taken from The Arabian Nights, the film tells the story of a wicked sorcerer who tricks Prince Achmed into mounting a magical flying horse and sends the rider off on a flight to his death. But the prince foils the magician’s plan, and soars headlong into a series of wondrous adventures.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
No one has time to talk to the crazy lady in the park, except for a sensible man who happened to be passing by.
Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.
A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.
Professional driver, and former Special Forces officer, Frank Martin is living in Miami, where he is temporarily filling in for a friend as the chauffeur for a government narcotics control policy director and his family. The young boy in the family is targeted for kidnapping, and Frank immediately becomes involved in protecting the child and exposing the kidnappers.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.
Eric and Ernie decide to take a holiday to the South of France and unwittingly become mixed up with a band of jewel thieves.
Army Staff Sgt. Travis Mills, one of five quadruple amputees to survive their injuries, provides insight into the life of a wounded soldier as he faces the physical and emotional challenges of his wounds.
A Kuwaiti comedy play starring Dawood Hussain & Intesar Al Sharrah.
Hoping to entrap Maria von Gall, who runs a courageous underground railroad for Jews in France, the Nazis kidnap her son Thomas, a brilliant 11-year-old chess master. An exchange arrangement goes awry and he sees her die in a hail of bullets; but he is rescued by his American father, whom he has never met before, and who plans to flee with him to Spain. However, Queen Maria had solemnly entrusted her little pawn Thomas with a precious secret and a terrifying mission, and it was time for him to move. A pawn may become an important piece by slowly, quietly advancing all the way through the enemy's ranks. Or a pawn may die trying. Retreat is what a pawn can never do.
Daniela and Fouad live in Gubbio, and they both come from the sea: she is from Bari, he is from Casablanca. Their bodies have suffered hardships and alcoholism. They met by chance and a deep and healing friendship was born, which led them to live together. Now that Fouad needs a permit to stay, marriage seems to be the easiest solution. Daniela agrees to it, but as the wedding approaches, the ambiguity of Fouad’s feelings begins to worry her. Can you fake- marry someone who really loves you?
If anyone can claim the essence of the true warrior spirit, the one who sacrifices and fights for the greater good of his comrades, and the greater good of his country, it is the American sniper. The sniper, first and foremost, is a hunter. His weapon: a rifle. His prey: another human being. None have embraced this world better than the American sniper. (Amazon Prime)
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
Csutak gets a role in a children's radio play, but has to face trouble when the star of the show turns out to be a juvenile mobster, who practices extortion on the local kids.
A behind-the-scenes look at the making of Stephen Spielberg's "Catch Me If You Can."
Mark Normand has been told the same advice his whole life: DON'T BE YOURSELF, whatever you're thinking about saying, don't. So in his first one hour special, Mark does just that.
Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.