Punished for mistreating the family pets, a young boy uses his chemistry set to wreak revenge on his parents.
1907-10-01
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Céleste Noménoé, a provincial actor, comes to Paris for an inheritance. He also gets a part in a movie. The managers of a music-hall notice him. He takes the stage name of Grock.
In this Our Gang film, James Finlayson plays the gang's schoolteacher who takes the kids to Europe after winning a local contest. He takes them on a tour of Naples, Pompeii, Rome, the Vatican, Venice, London, and finally Paris, where problems arise on top of the Eiffel Tower.
About a young pretty bride, who cannot choose between all the grooms that circles around her...
A friend of KoKo's animator draws a haunted house, and KoKo and his dog Fitz go inside. There, they encounter frightening hallways where every door leads to a new spook.
Max and his friend, who came to visit him in Paris both fall in love with his new maid. The girl is very friendly, and while one plays the piano, she dances with the other - and they are so happy that even the decor dances at the rhythm.
Dog Rover, from Rescued by Rover fame, chases a kidnapper's car and while he is in a pub, drives it safely home and thus saves the baby.
Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.
Seventeen year old William Sylvanus Baxter has fallen madly in love with young coquette, Lola Pratt. After spending all of his money on the fickle girl, she runs off with an older man. William now heartbroken, contemplates suicide, until a friend from childhood, May Parcher, pays a visit and William decides to fall in love with her.
An early Thomas Edison short. A young woman is kidnapped while attending a play in Chinatown. A reporter attends another play in Chinatown, is likewise kidnapped and rescues the young woman. Preserved by the Academy Film Archive in 2011 in partnership with the National Film Preservation Foundation New Zealand Project.
Three reporters and an office girl are trying to stop a bacteriological strike by some powerful western business leaders against the USSR.
Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.
An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.
Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.
An oil heir and the daughter of a social climbing family are set to marry.
Max and his wife each blame the other for a nagging tongue. Max offers to bet his wife fifty pounds, even money both ways, that she will be the first to speak or make a sign after the acceptance of the bet. His wife accepts the wager, and the two young people allow their flat to be burgled rather than move or murmur. Max sits out the ordeal in agony, up to the time the burglar attempts to kiss his wife. Then, with a yell, he rises to punch the burglar's head. There is joy in the punch, but less in the drawing of the check.
Max is in love with a charming girl, who also is already affianced to another. Does Max despair? Never. The debonair gentleman sets his wits to work to frustrate his rival's little game, and though he meets with several rebuffs in the end he is successful. Even then the rival, on the eve of his wedding, tries to turn the tables on Max, and very nearly succeeds, but with the little lady's help Max finally wins. The story is full of quaint and whimsical humour, which culminates in some exceedingly funny scenes before a mirror, in which Max sees strange visions.
Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.
This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.
Pierre and Jacques are working as waiters at a restaurant where the cooks go on strike. When the two are forced to work as bakers, the striking cooks put dynamite in the dough, with explosive results.