Natalie
Gretchen
Assassins hired by a corporation try to steal a breakthrough serum called Ambrosia, but the sample ends up in the bag of a young woman who becomes their next target.
2012-05-30
0
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
Appetite: Two women on a romantic date playfully express their love for one another. The date quickly takes a turn when they become frustrated that words cannot fully express their feelings. A lighthearted back and forth escalates into a passionate brawl. Ending with hickeys, bruises, and a good dose of public embarrassment love proves to be a battlefield.
Allie wakes up, after taking her own life, in a room filled with memories in the form of photographs, negatives and slides that cover the floors and walls. Unable to move onto the other word, she slowly realizes that she can relive each memory. Allie comes to understand that the memories are picked by the room she now inhabits, forcing her to deal with problems she was originally running from.
Set in the distant future, Connected is a story about survival and greed with a post apocalyptic wasteland as its backdrop. Survivors of an unknown disaster shuffle through a desolate landscape, as it quickly becomes clear that not everybody has the strength to survive.
It wasn't easy for John Moon to let go of violence when he left the force 5 years ago but now back in the town he hates, searching for a partner he's lost, he learns it's even harder for violence to let go of him.
A 20-minute sci-fi espionage short film that demonstrates how a small quiet victory tips the balance of power and foretells the outcome of World War II.
An identity thief must weave his way out of an impossible situation at a small motel when he accidentally steals the identity of a murderer.
After the cataclysmic war that all but destroyed civilization, Authan O'Reilly, a soldier now charged with building rather than destroying, has gone AWOL, in search of his past. As his long search draws to a close he arrives at a once thriving city, now a deserted ghost land, he pushes onwards in the hope that he may find some clues amongst remnants of the past.
Dirtpeople are living in misery until the Mighty Soap arrives, who washes them clean.
A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.
Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".
Tells the story, through surrealist and oniric images, of an alien invasion that feeds on spanish children.
The story tells of an extraterrestrial invasion in which the aliens kidnap bodybuilders for reasons that escape our understanding.
A brother and sister become trapped in a fake spiritual cult and must overcome high tech brainwashing to get free.
The story is the bridges the gap of Assassin's Creed II and Assassin's Creed Brotherhood. After the destruction of Monteriggioni in the year 1500, Ezio met with Leonardo Da Vinci to gather information about the Pope's son, Cesare Borgia. Leonardo tells Ezio of Cesare's rise to power.
Director Jeff Chan re-made the classic viral video 'Charlie Bit My Finger' in a horror film style.
The testimonies of three forgotten victims whose lives have changed due to a common tragedy. A tragedy of unimaginable dimensions.