The story of a salesman who deals with implants that allow the user to blur the line between reality and dream.
The story of a salesman who deals with implants that allow the user to blur the line between reality and dream.
2000-10-01
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A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.
The testimonies of three forgotten victims whose lives have changed due to a common tragedy. A tragedy of unimaginable dimensions.
Horror story using stills. Based on the short story by Richard Davis.
Treevenge details the experiences and horrifying reality of the lives of Christmas trees. Clearly, for trees, Christmas isn’t the exciting “peace on earth” that is experienced by most. After being hacked down, and shipped away from their homes, they quickly become strung up, screwed into an upright position for all to see, exposed in a humiliation of garish decorations. But this Christmas will be different, this Christmas the trees have had enough, this Christmas the trees will fight back. Treevenge could be a short film about the end of days for Christmas trees, or perhaps, the end of humanity?
The film’s premise is about a group of warriors and scientists, who gathered at the “Oude Kerk” in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.
Sam can't think of any sins to tell the priest at his first confession. He worries that he won't be a real Catholic if the priest doesn't absolve him of some misdeed. Jacob, Sam's friend, devises a solution in the form of a prank, but the result is tragic.
Narrated by Sir Christopher Lee as Roderick Usher summons his boyhood friend to help him ease his decaying condition. The death of Madeline Usher, last in the line of the Usher family precipitates Roderick's descent into madness and death.
"I am not from this place," declares a French cowboy. An old toothless man asks, "Do you know why you're here?" These shape-shifting personalities infect young children with an evil signal in the form of a Dutch TV show. The red-eyed girls and boys believe they can now become other people and monsters, much to their delight.
Strange Parallel is a documentary/short film revolving around the American singer/songwriter Elliott Smith. The film features interviews with Elliott himself as well as fans, friends and other acquaintances of his (including Gus Van Sant, Larry Crane, and the members of Quasi). The film also includes snippets of Elliott Smith performing as well as footage of him recording an unreleased song, "Brand New Game". The film sometimes moves out of reality, with acted-out, metaphorical sequences that involve Elliott considering purchasing a mechanical hand (a "robot hand" ) to improve his music.
Frat boy Luke finds himself tied to a chair, face to face with three college girls that are less than happy about losing their virginity to him. Hell week will take on a whole new meaning for this fraternity brother.
A young man wakes up in a motel bathtub full of ice, only to find his problems have just begun.
A 10 year old boy uses his hyperactive, action-figure, water gun slinging imagination to cope with his parents' divorce.
The President's Daughter has been kidnapped by the brilliant super-criminal Blood Mamba. All rescue attempts have been thwarted by the evil genius. There's only one thing left to do: send in the Robot. The Robot must fight zombie-monsters and insecurity in order to complete his suicidal mission. This marks the directorial debut of Rob Schrab (Creator of Scud: the Disposable Assassin and Heat Vision and Jack).
The tale of a murderer (Allen) who uses the cover of Halloween night to causally transport his latest victim from the scene of the crime to his final resting place. Wrapping the body in tarpaulin and dragging it through the busy streets of London as a bloody Halloween prop, all goes to plan until an old school mate (Brassington) recognises the murderer and drags him along to a swanky Halloween party nearby, where a chance meeting with a beautiful girl (Tointon) takes his evening on an even bigger turn for the bizarre!