Cathodic Works

Drip(en)

Representation of spontaneity in the context of routine.

Digital Trauma (and the Crystal Image)(en)

If we can access our past at any given moment, to what extent can we get rid of it and look ahead? What consequences do the access to a digital memory (including access to the words, images and sounds of the horrors of the past) have for post-conflict societies? Can a digital memory become a powerful tool to ignite more profound ethnic hate, violence and war?

The Nine Muses(en)

Part documentary, part personal essay, this experimental film combines archive imagery with the striking wintry landscapes of Alaska to tell the story of immigrant experience coming into the UK from 1960 onwards.

Fencing(xx)

Early Edison short showing two men fencing.

A Hand Shake(xx)

William K.L. Dickson and William Heise shake hands in this early experimental film.

Blood of Two(en)

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

Within(en)

This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.

The Very Eye of Night(en)

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.

Faust's Other: An Idyll(en)

“Faust Part 2” reveals the modern Faust in a romantic interlude, an idyll (from the Greek idein, "to see"); also, a journey of the id. A sense of story is inferred through the complex interweaving of human gesture, expression, and bodily movement within vibrantly shifting colours and rhythmic development, creating multiple levels of metaphorical meaning. A collaborative work with paintings by Emily Ripley and soundtrack by Joel Haertling.

Meditation on Violence(en)

Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.

Newark Athlete(xx)

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Anticlimax(es)

The Mexican Gelsen Gas side by side with Alexandro Jodorowsky (Fando y Lis, El Topo, The Holy Mountain and others) appeared as a theater director, artist and poet, had an idea about staging haiku's that would reflect the sexually-charged and politically streaming time. Early in the film finds a man buried a few rolls of film in the desert.

The Age of the Earth(pt)

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

Magick Lantern Cycle(en)

Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min

Black Biscuit(en)

Featuring today's modern outlaws - These are the outsiders of society. And their all stars. Director Fabrizio Federico has created a fact feature film about money, sex, dignity, and dreams. A group of misfit outsiders all face the difficult question of choosing between their dreams and talents, or following greed.

Sunny(ko)

Seven girls become good friends in high school, then events pull them apart for 25 years. When one of the friends lies dying in a hospital, she wishes to see each of them one last time.

Guernica(cs)

The initiation of a young Jewish child into Guernica's world.

Paula-Paula(es)

A vicious maniac has claimed the life of gorgeous exotic dancer Paula and it isn't likely before police single out her lover Paula as the likely killer. As the investigations get underway, detectives find themselves thrust into a treacherous world of lust and perversion

Tales of a Street Corner(ja)

The sad and happy times of a young girl and her bear doll, a young mouse and his family, a sycamore tree, an old lamp post, a hoodlum moth and an alleyway full of posters coming to life.

Genesis(ja)

The creation of Earth and Mankind. And how God changed his mind.

Aral, Fishing in an Invisible Sea(uz)

A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.

Box(en)

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Fate(en)

Serial killers have plagued the American landscape for decades, committing gruesome atrocities, and providing some tough cases for criminal investigators to crack. Two detectives are on the trail of a bizarre murderer intent on slaughtering his victims, then using them as real-life puppets in a tale that he is trying to tell.

Reencuentro(es)

13(ja)

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

Garden of the Dead(en)

Convicts on a chain gang sniff formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. After being buried, they rise from the dead, killing all in their path with shovels and hoes.

Guns of Nevada(es)

Joe Dexter, a famous gunfighter known as Nevada Joe, Golden Hill reaches a mining town. There he will find that the transport of gold from the mines is monopolized by John Randolph, who is opposed only Julia Brooks, owner of a mining concession, with which Dexter intimará and support in its confrontation with Randolph.

Soorya Gayathri(ml)

Married at 17 and widowed at 20, Dr. Balasubrahmaniam lives with his teenage son. Son does not want to follow his father into medicine and joins an engineering college. He is killed accidentally by some seniors during ragging. The grief-stricken father tries to avenge his son's death.

Fue El Estado, Fuimos Todos(es)

The History Of Iron Maiden - Part 1: The Early Days(en)

First part of the documentary series, The History Of Iron Maiden, featuring an exhaustive, thoroughly complete history of the early years of Iron Maiden, from their humble beginnings in London's East End in 1975 through their triumphant Piece Of Mind album and tour in 1983. The set features a large collection of rare videos and concert footage, as well as interviews with former members such as Paul Di'Anno, Clive Burr, Dennis Stratton, Dave Sullivan, Terry Rance, Kent Ewing, Doug Sampson, Ron Matthews, Terry Wapram and Bob Sawyer.

The Stone Age(en)

A Walter Lantz/Bill Nolan Oswald the Lucky Rabbit cartoon released July 15, 1931.

A Yank at Oxford(en)

A brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.

Quarantine(en)

In an English coastal border town, a small band of badgers live in the shadow of an animal quarantine facility. As they struggle to keep their folk traditions alive, they try to ignore the strange sounds coming from the compound. But when tragedy strikes, they are forced to seek help from the unlikeliest place.

They Were Witches(es)

Mia, an expert speaker in witchcraft, takes a trip to see a therapist. On the way she meets a group of young people who will begin to die one by one to bring an evil spirit back from death.

Rote Movie(en)

"'Rote Movie' is part of a series of works examining aspects of the traumatic experience. It is an examination of decay and forgetting, where what both distance and time can bring to one's private feelings of belonging and home. Highly immersed in a fragmented and disjointed haptic space of its own materiality, this film stutters out its thoughts frame by frame" - Steven Ball, 'Mesh' 3, Autumn 1994.

One Hundred and One(es)

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

From Meir, to Meir(ar)

The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.