Ni una sola flor

Seven days in May(es)

David Riondino, an Italian film director, is coming to Spain to document the Atocha massacre of 1977, to make a film on its 50th anniversary. He will be helped by Alejandra, a young documentary filmmaker who urges him to contextualise the past with the current rise of the far right. By investigating the Atocha attack, David will recover a part of that recent past and at the same time will witness a reality that encourages reflection on some burning issues such as the advance of the far right, problems of access to housing and job insecurity.

Ashes(es)

The nephew of a Republican exiled during the Spanish Civil War is pushed to discover the fate of his uncle by a forgotten letter. Meanwhile, a researcher tries to discover what happened to another deportee after reading the novel "El impostor" by Javier Cercas. When the two coincide, they discover that the lives of their two ancestors are intertwined and end up unearthing the story of František Suchý and his son, who risked their lives and defied the Nazi regime from the Prague crematorium to save the ashes of more than 2,000 victims.

Yo sí te quise(es)

Agustina González. La zapatera que miraba a las estrellas(es)

Sin libertad: 20 años después(es)

This documentary updates the life experiences of victims of ETA terrorist activity, twenty years after the multi-award-winning documentary Sin libertad (Without Freedom, 2001). With an experimental intent, it seeks to link the present and the future through five young journalism students in their twenties who have not experienced ETA terrorism and are responsible for interviewing the victims.

Living Memory(es)

The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in Paris to the Spanish Exiles and the victims of the Nazi extermination camp of Mauthausen. Our goal thereafter focused on collecting the greatest possible number of testimonies related to the history of Spanish anarcho-syndicalism. As part of the celebrations of 100 years of CNT we set up the project, the union decided to fund it and we set off . We travelled 12,000 km visiting three countries relying on the logistical support of CNT and selfless work of their members as well as partners Malicious Films GuerrillART. This is the result: 80 hours worth of records, 300 hours worth of testimony in timing and transcription meant for reference purposes at the Anselmo Lorenzo Foundation and 0 actors. Written by Antonio J. García de Quirós Rodríguez

La parte por el todo(es)

During the last argentine military dictatorship, the Army developed a systematic plan for the abduction of children, with maternity wards inside the clandestine detention centers. This film proposes itself as a trip to the truth "to bring to light the places where lots of babies saw the light for the first time"; Three restored children show the part for the whole :how a genocide was orchestrated,a scheme which planned the deprivation of identity of babies born in captivity, children of illegally kidnapped and detained women.

Moda antigua(es)

IUS of Time(es)

Luca, a young photographer, arrives in a village in Asturias to work on an artistic project. There, he stays with Xuan, an experienced cheesemaker who is marked by a past full of rumors and prejudice. Through Luca’s camera and Xuan’s craft, the two discover unexpected connections in an intimate encounter between two seemingly opposite worlds.

Leteo(es)

Casandra, a young woman with schizophrenia, moves into her deceased grandfather's apartment. There, her symptoms reappear stronger than ever. But is it her illness or is there something more? This country hides painful secrets... and she's locked up with one of them.

Violets(es)

In 1945, beneath the oppressive shadow of the Francoist dictatorship, Juan, a university teacher assistant, meets Manuel during a chance encounter at night in a park. With their initial reservations, a complex love story unfolds between them, shaped by the turbulent political climate and the misunderstanding of those around them.

The Monster of Many Noses(ca)

In the winter of 1968, in a small village in the mountains, the story follows three children who embark on a daring quest to evade the ominous Monster of Many Noses, a formidable figure deeply ingrained in Catalan folklore. This sinister character is known for hunting down children who have spun too many lies on the final day of the year. But the children are not the only ones gripped by fear; the film also explores how lies from the past can have a haunting presence. The film follows a proven formula of taking a deeply rooted legend from Catalan folklore and transforming it into a universal story. The Monster of Many Noses is a captivating exploration of history, myth, and the human condition.

Albertosaurio(es)

SHEUT(es)

A young college artist tries to sketch his next piece, vainly. Frustrated, decides to get out from his house and get some fresh air. But then, a shadow springs forth from one of his rejected ideas, determined to reach him. Short silent film inspired by Nosferatu (1922) and The Gabinet of Dr. Caligari (1920).

El peso de la existencia(es)

Journey from Santa Barbara to Moscow, or the Adventures of an American in Russia(ru)

The second film in a series of documentary and journalistic films about Russia. This is an impartial and friendly story about how the capital of Russia lives, works, studies and relaxes, seen through the eyes of a foreigner. The film's host, American actor Jed Allan, familiar to many Russians for his role as CC Capwell in the TV series Santa Barbara, travels around the multimillion-dollar metropolis, accompanied by the Russian actor and athlete Alexander Nevsky. The presenters of the film are equally interested in the opinions of representatives of the modern elite and ordinary citizens. The daily life of the city is the main interest of the film's authors; the faces snatched by the cameraman from the Moscow crowd are his main characters. The idea of the film is to show modern Moscow as one of the brightest, most beautiful and most dynamically developing cities in the world.

We Are Fire!(en)

Maremoto (Mar) is a young illustrator in Mexico City struggling to make sense of a town where 11 women are murdered daily, and 95,000 people have gone missing, with no one held accountable. Her feminist drawings support her community in dealing with the emotional trauma left by the femicides and galvanize them to fight to get the government forces to act. With her work, Mar also creates a safe space for the LGBTQ+ community and teaches self-acceptance."

Tears(en)

Why do we cry? Can men cry too? When are tears acceptable and when are they not?

Laughter(en)

Examines laughter, its representation in film and its day to day function. Well known people from various backgrounds discuss the issue and what it means to them.

Fear(en)

People who have experienced fear - those involved in the peace movement, a child, a politian and a film director - discuss the psychological and physical aspects of this emotion.