Paris exposition films

Everyday Life(pl)

Dialogue-free short detailing the daily tasks of a man and his wife.

Cautivos en la arena(es)

Winter - Unfallgefahren bei Eis und Schnee(de)

Short film about the dangers of winter traffic on the German Federal Railways

Schienen werden die schnellsten Strassen(de)

Speed has always played a particularly important role in railroads. New, ever better technologies have been developed throughout history. Engineers have come up with many ideas to make trains faster. This short film recalls the most striking record-breaking journeys in Germany and abroad.

Projektionen der Sehnsucht(de)

Portrait 69(de)

Various people from the GDR describe their lives and their work for the socialist society. Because everyone fulfills an important task in the society.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Berlin: Symphony of a Great City(de)

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Strade perdute - Filmmaker 23(it)

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

The First Foot(ka)

Voices from the past echo through the deserted, snow-covered stone houses in a village in the Caucasus Mountains.

Keiner wird als Held geboren(de)

Heroes from the GDR's past are presented. Heroes will also be needed in the future.

Un instante en la vida ajena(es)

Compilation of images of the amateur recordings of Madronita Andreu, Catalan intellectual of the nineteenth century, daughter of Dr. Andreu, famous for its pills and cough syrup.

Once Upon a Vilnius(lt)

Vilnius is a city of notable historical heritage and unique character currently undergoing considerable changes. Some of the life fragments our camera has recorded are no more. The film, therefore, is a testimony to that which has faded into oblivion, and a glimpse into what is to come.

À l'Assaut de la Tour Eiffel(fr)

Four experienced mountaineers climb the three floors of the Eiffel Tower through the pillars of the building. A police officer, overwhelmed by the events, does not succeed in arresting the intrepid who reach the summit with agility under the stunned eyes of tourists. They then abseil and happily throw themselves into the Seine to celebrate the feat.

Le Théâtre National Populaire(fr)

Leonora Carrington or The Ironic Spell(es)

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.

Still(de)

The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.

L'album de famille de Jean Renoir(es)

Jean Vigo : le son retrouvé(fr)