El Regreso

Temazcal, the documentary(es)

"Temazcal, the documentary" is the final result of over a year of collecting audiovisual material from the emerging Seville-based band Cuñados Invisibles. It offers a look through videos, images, and interviews at what it's like to form a music group from scratch, as well as the creation process of their first album, "Temazcal".

Superamor(es)

A story of young and eternal love creates the perfect atmosphere for the official music video of *Superamor*, by Fran Aguilar, Cuñados Invisibles, and Blanca Soler.

Mala Costumbre(es)

The music video plays with the concept of bad habits, portraying a group of interconnected characters whose harmful routines lead them to live out this story.

1:01(es)

Official music video of the song 1:01 by Cuñados Invisibles.

Dame un beso(en)

Official music video of the song 'dame un beso' by Cuñados Invisibles

Stories de Instagram(es)

Official music video of the band Cuñados Invisibles, where our protagonists delve into the world of the subconscious.

Las Miradas(en)

Official music video of the song 'las miradas' by Cuñados Invisibles

Piel sin piel(es)

Official music video of the band Cuñados Invisibles.

Chance, History, Art...(en)

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.

Petar Dobrovic(sh)

Documentary about painter Petar Dobrovic.

My Homeland(en)

Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.

Mysterion(fi)

A documentary about a convent of Russian Orthodox nuns in Estonia who have dedicated their lives to serving God.

Coalesce: A City Composed(en)

A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.

The Final Year(en)

Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.

Duerers Heritage(de)

Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.

Time of the Gods(de)

The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.

PJ Harvey aux Nuits de Fourvière(de)

The Rape of Recy Taylor(en)

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.