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Official music video of the band Cuñados Invisibles, where our protagonists delve into the world of the subconscious.
2023-11-28
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The music video plays with the concept of bad habits, portraying a group of interconnected characters whose harmful routines lead them to live out this story.
"Temazcal, the documentary" is the final result of over a year of collecting audiovisual material from the emerging Seville-based band Cuñados Invisibles. It offers a look through videos, images, and interviews at what it's like to form a music group from scratch, as well as the creation process of their first album, "Temazcal".
A story of young and eternal love creates the perfect atmosphere for the official music video of *Superamor*, by Fran Aguilar, Cuñados Invisibles, and Blanca Soler.
Adam had everything: the looks of a movie star, the mind of a genius, a seven-figure salary, a brilliant career - everything but a woman worthy of his love. Having lost hope, he resorts to a dangerous experiment and, with the use of an oriental spiritual practice, creates the perfect partner. He alone will be able to enjoy her company, for she is unseen by others. In search for perfection Adam left many a woman behind. Should he not get along with the new girlfriend - leaving may not be an option.
A movie about creation , Life and death. when god created the man into toil and torment.
The cartoon is based on several Krylov's fables.
The Gaither Homecoming family sings its way through Alaska's majestic landscape in this rare and beauitful Alaskan Cruise experience. In this musical journey, gospel music's finest voices gather for a concert on the ship's deck to celebrate and to worship the Creator of all this beauty. Your host, Bill Gaither, also gives you a glimpse into many of the off-stage moments during the cruise, as the Homecoming family shared meals, storytelling, laughter, and as always, singing!
Sally Newton is in love with Lee Sullivan, a young tenor singer with Johnny Johnson's Orchestra, but her father prefers a stuffy young clerk as her suitor. She makes him taker her to the nightclub where Lee sings. Lee has arranged for Sally to elope with him, his song "Let's Take It on the Chin" being the signal for her. But the clerk has hired a tough gangster to keep Lee from singing.
A hunter cuts out a mythical black cat's eye, which turns into a large diamond. Many want the jewel... including the cat itself, which returns to terrorizes everyone. With musical numbers.
A normal day for misters Armando and Rogério do Cálcio (2023, Colorized)
Ten year-old Anthony has red hair, as did Antonio Vivaldi. For his birthday, his grandfather gives him a book. He would have preferred a video game, but what can you expect from a grandfather who spends his time building violins in his workshop? But this is a magic book! When you draw in it, it plays the Four Seasons: it’s an activity book, a herbarium, a sketchbook... The orchestra playing the music is inside the book, on the other side of each page... drawings come to life and join the orchestra in an imaginary space. The book accompanies Anthony throughout the seasons until his eleventh birthday.
Every night, a father tells his son a bedtime story. As if by challenge, the child always chooses the same book, with scores, orchestra photos and images of animals. It’s about Camille Saint-Saëns’ “Carnival of the Animals”. Under the impetus of the gentle complicity of father and son, this somewhat austere book is transformed, comes to life and makes music: the carnival animals come to life...
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
A string of incidents intertwines two friends, a minister, a gangster, and four small-time criminals.
After a long time, a deaf boy meets his own father, who is a musician and does not speak sign language. Over a long weekend, both of them learn that they speak a common language through music.
After a serious injury, the hero loses his memory, but gains the gift of suggestion. On his walks around Moscow he is accompanied by the demon-tempter Brockhaus...