L'homme qui fume

On the Road to Kandahar(en)

One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.

(2) Beings in Transformation(pt)

The consequences of the lockdown during COVID-19, putting the minds of two beings in an apartment to the test.

Puffer Rhapsody(zh)

By fabricating her biography, Luo Su, a young Chinese white-collar worker from a low-income family, hopes to wed Mr. Win, an alluring bachelor. But when her mother's shocking TV interview exposes her deceit, she loses everything and ends her own life. Left in limbo, she is mystically given one last opportunity to alter her fate within 72 hours - albeit within the body of a man.

Platos Vacíos por Gerser Gelly(es)

A girl is faced with the feeling of losing someone she once loved and the need for this person to try to make amends for the mess that remains after severing a bond.

The Birthday Party(pt)

A birthday spent in solitude turns into a haunting descent into the self, where silence grows louder than any scream.

Scenic Jogging(en)

Woman chasing projected images of typical screensavers such as idyllic meadows and mountainscapes. These images are embellished by design programs to be more attractive to appeal to our primal desire to be outside rather than in front of a computer or in ugly urban landscapes. Even if she were to ever catch up her object of desire, she will find it never existed in the first place, and she has been chasing the unattainable.

Moving Memories(pt)

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

Domingo no Paint(pt)

Leporello oder Ich habe gern gewunken(de)

Experimental short film

fifteen zero three nineteenth of january two thousand sixteen(sv)

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

And Um(en)

Direct animation on 35mm.

The Stolen Moon(en)

A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.

We Go Past Future(en)

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

Gan Escapism(uk)

Gan Escapism is an experimental short film by Ukrainian-born artist Anna Malina. The film was crafted using a Generative Adversarial Network (GAN) to create a unique and captivating visual experience that blends abstract illustrations and evading sounds to create a surreal and thought-provoking piece of art.

A lo Mejor Algún Día(es)

Dos(es)

Short experimental film by Ernesto Baca

கோயில் (The Temple)(en)

Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.

The Dawn(en)

In his Miami studio, built as a solar observatory, a famous painter lives alone, without a wife or children. His only obsession is to paint at dawn. But for some unknown reason, as he prepares to finish his last canvas, that morning the sun does not rise.

I went away and forgot you. A while ago I remembered. I remembered I'd forgotten you. I was dreaming.(en)

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.