WASCO!

This Is Going to Be Big(en)

Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.

Piracema - uma carta de amor ao teatro(pt)

Toska(es)

CUPNOODLES MUSEUM Movie at Momofuku Theater(ja)

Momofuku TV employs CG animation to look back at the history of instant ramen and tell the story of how Momofuku Ando overcame great adversity to achieve inventions of worldwide importance. The program presents the six keywords that drove Momofuku’s creative thinking in a fun and easy to understand way.

Des Amandiers aux Amandiers(fr)

A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.

Horse Drawn Magic(en)

This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.

Scenic Field(pt)

On a boring Sunday, Rebeca is taken by chance to a distant relative she has not seen for a long time. Curious about her uncle's life, her search opens the curtains into a previously unexplored but strangely familiar theatrical universe.

The Stage We Are At(fi)

A documentary about one night at Alexander Theatre in Helsinki. Staff prepares for 300 guests, serves them and closes this historically significant building for the night.

The Shaw Festival: Behind the Curtain(en)

From PBS - With unprecedented access, The Shaw Festival: Behind the Curtain captures the unique creative process of one of North America's longest running, most distinctive and exciting theatre experiences. Each year between April and October, the Shaw Festival--which began in 1962 with the mandate on works by George Bernard Shaw--presents around 10 plays on four stages that attract patrons from all over the world. Located in Niagara-on-the-Lake, Ontario, Canada--the Shaw's one-of-a-kind schedule has actors and directors working on several plays at once. Over eight months, crews design and build sets on a finely honed schedule that is both frenetic, creative, and amazingly well planned and executed. Follow the process of getting the play from the page to the stage as The Shaw Festival: Behind the Curtain provides insight into every aspect of production at a summer theatre festival.

Fanny, Alexander & Me(sv)

A documentary about the rehearsal of a theater production of Ingmar Bergman's "Fanny and Alexander" in 2012, in Stockholm, Sweden.

Theatre In Israel(en)

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

Ramba Zamba(de)

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.

Before The Show Began - Theaters Of Oregon(en)

Historic theaters capture the imagination with interesting architecture, lighting, and decorative lobbies. Award-winning videographer/ historian Darrell Jabin toured dozens of theaters, researched opera houses, vaudeville, movie palaces, and neighborhood theaters, and interviewed historians, theater owners and executive directors of community theaters to create a short film covering a unique part of Oregon history.

Hore dole, hore dole(sk)

Halali und Halleluja(de)

To Be or Not to Be(en)

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

Romeo and Juliet '99(ja)

An original, semi-modernized musical adaptation of Shakespeare's classic romance.

6.9 on the Richter Scale(ro)

A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.

A Budding Heart(fr)

Mathan, 19, arrives in Paris with Jacques, a famous gay writer in his 50s. Then arises the sexy Olivier, flamboyant thirty, friend of Jacques. How will Mathan get out of the clutches of this "old" couple? Desires, doubts, seduction and jealousy, the ingredients of a tender and insolent comedy on the shock of generations and the question of the couple over time.

Father Was a Peculiar Man(en)

Join us for a screening of Reza Abdoh’s extraordinary, site-specific work Father was a Peculiar Man, an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure. One of the goals of En Garde Arts’s site-specific journeys through New York’s Meatpacking District was to use the local architecture as a theatrical set while at the same time evoking and playing with the history of the place. The half-deserted cobblestone streets south of Chelsea enhanced the play’s nineteenth-century references. The neighborhood’s past as both a meatpacking and transportation hub via the High Line trains as well as a former center for after-hours sex clubs merge as perfect background for Reza’s spectacular tableaus of gluttony and lust.