Oficina Perdiz

Teatro em Jampa Vive(pt)

Nada Es Como Antes(es)

A documentary comedy that reveals, with humor and great honesty, the unexpected journey of La Patogallina: putting together its first Shakespeare-inspired TV series, while everything seemed chaotic. Amidst parades, bruised egos, broken romances, and endless rehearsals, this documentary shows how a group of artists decided to laugh at the end of the world and turn it into an unforgettable show.

I Papaveri Sono Alti Alti Alti(it)

Nosferatu(pt)

Nosferatu arrives in a town escaping from Van Helsing. He brings not only his curse, but ghosts from his past. In this escape, he dives into a macabre dance searching for an actress and faces the horror of eternity and the pain of an endless existence.

Cyclone(pt)

Dayse, a Brazilian playwright known as Cyclone, wants to study in Paris. Having a career in theater is unthinkable for a woman in São Paulo in 1918. But her director doesn’t want her to go, as he would lose his mistress and ghostwriter. When she becomes pregnant by him, her dream starts to fade. An artist’s struggle for self-determination in a patriarchal society, based on the true story of Daisy Pontes and modernist Oswald de Andrade.

Va Savoir (Who Knows?)(fr)

After finding love and success in Italy, French actress Camille returns to Paris, the city she fled three years ago. She secretly dreads confronting her ex-boyfriend Pierre. Her new lover Ugo also has a secret, as he’s meeting with the intriguing Dominique while on his quest for an unpublished manuscript.

Pirandello - Il gigante innamorato(it)

Ma... diamoci del tu!(it)

Sol(it)

Storie del Signor G(it)

Popular(pt)

Jackass Shark Week(en)

Johnny Knoxville sends Steve-O, Chris Pontius, and new Jackass cast members on a Shark Week mission for the ages. They'll dial up a series of shark stunts that test their bravery and threshold of pain as they put common shark myths to the test.

Breakaway(en)

Maya Moore was one of the best women’s basketball players in the world when she stepped away from the sport in 2019 for a remarkable reason: to fight for a man she believed was wrongly imprisoned. “Breakaway” chronicles a search for justice, and a relationship that changed the lives of two people forever.

The Media Waltz(fr)

Study on the evolution and modernization of public libraries and media libraries.

The Endless Summer(en)

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities(en)

Megacities is a documentary about the slums of five different metropolitan cities.

Railway Station(pl)

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Gimme Shelter(en)

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Primary(en)

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.