Teatro em Jampa Vive

Oficina Perdiz(pt)

Aqui Favela, o Rap Representa(pt)

Ditadura Reservada(pt)

Filhos do caos(pt)

Cinema Brasileiro, Mercado Ocupado(pt)

Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.

The Peddler's Backpack(pt)

From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.

Once Upon a Time There Was Iracema(pt)

A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.

De cativo a liberto: da usina ao assentamento(pt)

Tangos e Tragédias Para Sempre(pt)

Rope’s End(en)

A fictionalized biography on John Dall who was in two great movies - Alfred Hitchcock’s Rope (1948) and Joseph H. Lewis’ Gun Crazy (1950).

Vigiai e Orai - a cultura do medo no Brasil(pt)

DEBRAIR: O mestre do reisado em Frutal(pt)

O Retorno da Terra Tupinambá(pt)

Tradição e Herança Ancestral - A história dos Mestres de Folias de Reis de Nova Iguaçu(pt)

Habito(pt)

Habito tells the story of a poor, fat black man in pursuit of his dream of being a filmmaker, facing academic and personal challenges after his mother is diagnosed with breast cancer. A narrative that intertwines life, family and cinema, exploring the roots of Alagoas and Bahia.

Rocky IV: The American Punch(fr)

Rocky IV is dually symbolic - it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.

ROTA(pt)

HyperNormalisation(en)

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Cruzeiro: As crônicas do Bicampeão da América(pt)

O Cruzeiro da Década de 60(pt)