Hugo Chávez: Itinéraire d'un révolutionnaire(2016)

The Revolution Will Not Be Televised(en)

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Imagen de Caracas(es)

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

Campoma(es)

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.

La Memoria es un Caracol(es)

Documentary about the life of Luis Mariano Rivera.

El rey del bandolín(es)

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Mayami nuestro(es)

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

La autonomía ha muerto(es)

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

Testimonio de un obrero petrolero(es)

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.

Little Square(en)

Intertwined stories of people fighting for love, survival and the truth during quarantine.

Black River(es)

Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez

Bolívar, Faro de América(es)

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Alone On The Trail(sk)

An intimate portrait of a unique sportswoman in extreme life roles. Mother of three adopted children, world and European champion in fitness and record holder on long distances throughout Slovakia. Soňa Kopčoková is a former professional fitness athlete with the titles of World and European Champion. After the end of her elite sporting career, she devoted herself fully to her family until she discovered that she loves long-distance running in the mountains. And so today she fulfils her dreams in the hills, running often only by herself... On June 16, 2021, she reached Devín after 11 days, 15 hours and 30 minutes in a new Slovak women's record on the SNP Heroes' Route route. From Dukla to Bratislava, she ran alone, without support and with only a single backpack where she carried everything, she needed to survive...

Scrapped(en)

A documentary exploring two student artists and their unfinished projects, discussing why certain projects are abandoned and the personal connections that the creator may have to them.

Damp Moss(en)

Glittering illusions of vectorized providence struggle to guide the viewer toward a path of re-enchantment.

The Answer to Weight Cutting(en)

MMA on Point takes a deep dive into the weight cutting issue that plagues athletes. Through this investigation, multiple discoveries are made that may shock the mixed martial arts world.

The Andes Tragedy: 50 Years Later(en)

In 1972, a plane carrying an Uruguayan rugby team disappeared into the Argentinean Andes. Now, 50 years after one of the greatest ordeals of survival in recorded human history, the full story is finally comprehensively told through the words of each of those who lived it.

Kindergarten(en)

One day in a kindergarten classroom at Van Horne Public School in Montreal. The teacher encourages children to turn their curiosity into questions and organizes group activities and play periods.

Aquí estamos(es)

Chironnup Kamuy Iomante(ja)

In 1986, for the first time in 75 years, the "Chironnup Kamuy Iomante (the sending off of the spirit of the fox)" was held at Bihoro Pass, in Hokkaido. According to the Ainu's traditional beliefs, animals are "gods" called "Kamuy" who live in the "land of gods" ("Kamuimosiri"), but sometimes they come to the "land of humans" ("Ainumosiri"), to offer their meat and furs as gifts. The Ainu take care of them, and they eventually hold an "Iomante (spirit sending)". In this ceremony, people offer prayers, sing songs, and dance, and send the animal back to the "land of the gods" with food and souvenirs.

Homes(lv)

The camera stands in a house, the lens pointing through the window, outdoors, where the occupants of the home are standing. They respond patiently to the camera operator’s directions: a small step to the left, a little bit forward, no, back just a bit, yes, that’s perfect. Dozens of people pose in this way for a full minute. There’s a man who lives alone, a large family, an older woman on a trampoline. Some are entirely at ease, others more self-conscious. Rabbits, dogs, and cats are allowed to join these portraits, too. All of them are captured within the natural frame of the windows, along with the lace or floral curtains.