
2019-10-23
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6.0Imagine the prison of Alcatraz, only 10 times worse, built on tropical, hellish and deadly islands, lost to the rest of the world. Three tiny castaway islands rise away from the coast of French Guyana, in South America: The Devil's Islands. Now buried under an impenetrable jungle, lay the lost remains of what had been for a hundred years the most storied convict prison in history. There, while most of the prisoners faded into oblivion, a few became legends. Some because they were innocent, as in the scandalous Dreyfus Affair, some because they somehow escaped the islands of nightmare, as did the "butterfly", Henry Charrière, immortalized by Steve McQueen in Papillon. Now 50 years after the prison doors slammed shut for the last time, we explore what's left of the Devil's Islands' unbelievably dark and oppressive realm.
0.0An early Patwardhan documentary completed in 1978, Prisoners of Conscience focuses on the state of emergency imposed by Indira Ghandi from June 1975 through March 1977. During this time over 100,000 people were arrested without charge and imprisoned without trial. They were released only by the government that replaced Ghandi's. The film also shows that political prisoners existed in India before the state of emergency and continued after the new government was elected.
7.0Metamorphosis is a documentary-style film giving the true account Bill Troester and the transformation he experienced by Jesus out of a life of violence, crime and drug addiction.
0.0America is the world's largest jailer and our over-burdened corrections system treats individuals as numbers. I COME FROM focuses on incarcerated poets and playwrights who use the power of creativity to change the direction of their lives. Their poems and plays reflect hard lives lived, tough environments negotiated, past mistakes made. This film focuses on six incarcerated artists whose work declares a wish, a will to survive, to grow as human beings and embrace an architecture of change. Recorded at Northpoint, Kentucky Department of Corrections, USA.
8.0In the documentary Last To Know political prisoners, sent to jail for openly opposing the East German regime that existed until the German reunification in 1990, talk about their times of trial and their lives today. Neither they, nor their families have come to terms with what happened.
6.9A portrait of the life and career of the infamous American execution device designer Fred A. Leuchter, Jr. Mr. Leuchter was an engineer who became an expert on execution devices and was later hired by holocaust revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, working in and around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.
6.8The documentary was shot in the prison for juvenile delinquents in Hungary. It does not aim at judging whether the perpetrators were convicted rightly or not but, given the burden they carry, how they can reintegrate into society after they are released.
0.0While locked-up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse's work captures the art world's attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.
6.7British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
0.0Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
7.9The warden of Halden, Norway's most humane prison, tours the U.S. prison system to urge a new approach emphasizing rehabilitation.
7.4Follow the daily lives of several quilters inside the sewing room at South Central Correctional Center, a Level 5 maximum-security prison in a small town two hours south of St. Louis, MO. From design to completion, the men reveal their struggles, triumphs, and sense of pride in creating something beautiful in this windowless, sacred space deep within the prison walls.
0.0A portrait of American recidivism produced over a span of two years, Revolving Doors follows Jason, who, despite attempts to retain meaningful employment, fails and returns to prison, devastating his family.
7.5The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.
7.0A documentary from within the Swedish Migration Board's locked repository where people are in custody awaiting forced deportation. Prisoner and guard are in close proximity around the clock. Converses during sleepless nights and playing football during hot summer days. We follow Sophie, 29, who loves her job at the repository, Sami, 20, the young rebel who is locked up but free inside, and Aina, 47, who were separated from her children and kept locked up while the police are stepping up efforts to enforce their expulsion order.
7.3On June 3, 1973, a man was murdered in a busy intersection of San Francisco’s Chinatown as part of an ongoing gang war. Chol Soo Lee, a 20-year-old Korean immigrant who had previous run-ins with the law, was arrested and convicted based on flimsy evidence and the eyewitness accounts of white tourists who couldn’t distinguish between Asian features. Sentenced to life in prison, Chol Soo Lee would spend years fighting to survive behind bars before journalist K.W. Lee took an interest in his case. The intrepid reporter’s investigation would galvanize a first-of-its-kind pan-Asian American grassroots movement to fight for Chol Soo Lee’s freedom, ultimately inspiring a new generation of social justice activists.
0.0In Italy, in the mid-seventies, Adriana, Barbara, Nadia and Susanna were 20 years old when they decided to join the armed struggle and leave behind their social life and their families in order to make the revolution the center and the aim of their existence. Today they have returned after many years in prison, and they try, each one of them, to recount their own experiences. They speak about the political reasons which initially sustained them, the conflicts, the doubts, and the moments of being torn apart which market out their lives as women caught up in the vortex of war. A course of events which ended in the condemnation of the armed struggle and the pain of the lives that were destroyed – their victims’ lives and their own.
6.0When gang leader Rob Brown is sentenced to prison for a fifth time, he must confront his role in bringing violent drug culture into his beloved American Indian community in northern Minnesota. As Rob reckons with his past, his seventeen-year-old protégé, Kevin, dreams of the future: becoming the most powerful and feared Native gangster on the reservation.
7.2The lives of the late Bradford playwright Andrea Dunbar and Lorraine, one of her daughters, and the community of Bradford, in the 30 years since the 18-year-old Andrea penned a play about growing up in the community titled "The Arbor".
6.2Armed based on photography, period films, archival materials and testimonies of survivors, family members and historians, the documentary accurately and exquisitely reconstructs the course of the “expropriating anarchists” in the Río de la Plata and specifically in Montevideo del First third of the 20th century.