While locked-up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse's work captures the art world's attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.
Self
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A 71 minute look into the wacky world of religion. Targeting groups from Catholics to Baptists, this movie exposes the idiocy that is associated to religion in general. This is the fourth film release from B.A. Brooks and is quickly causing quite a stir in religious communities across the globe, while also hailing acclaim as a very entertaining, and insightful film experience.
An intimate journey through the formative years of David Lynch's life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema's most enigmatic directors.
An investigation on the death of a 18-year-old boy and its cover-up by the police.
This film is a portrait of hypnotist and artist, Marcos Lutyens. It examines the idea of incorporating hypnotism into art through the filmmaker participating in a hypnotic induction.
Charlton Heston tells the fascinating story of the intertwining of Andrew Wyeth's biography and art. He discusses themes of regeneration and fertility. An overview of Wyeth's place in contemporary art.
An intimate portrait of mothers and daughters and the effects of trauma, Jacinta follows a young woman in and out of prison as she attempts to break free from an inherited cycle of addiction, incarceration, and crime.
Pleasures of the eye, David Hockney’s work has shown him to be one of the most versatile and influential artists of our time. The British artist invites the observer to take a visual stroll through his paintings and explore the dimensions of time and space. In communicating a new sense of the spacetime continuum, he injects the medium of photography with entirely new and living components. His sensuous theatre sets make us hear music with our eyes and see colours with our ears. The documentary filmmaker Gero von Böhm paints a memorable portrait of a fascinating artist, whose work allows all of us to see the magic in the small and seemingly insignificant details of everyday life.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
Best-selling author Graeme Armstrong reveals his passion for rave, meeting some of the superstar DJs and hardcore party people who created the vibrant and little-explored world of the Scottish rave scene.
An intimate portrait of David Hockney, featuring interviews with the artist - one of Britain's most beloved painters - in London and Normandy, and exclusive new footage of a master at work.
The celebrated British artist discusses his life and work with Melvyn Bragg in his Normandy studio, revealing his influences, inspirations and plans to keep on painting.
Using over 50 years of archive footage, this film looks back at the life and career of David Hockney.
Filmed in his London studio, David Hockney sits down with Melvyn Bragg to discuss his remarkable life and career, illustrated by a wide range of his vibrant and joyous artworks.
Documentary on the penetration of drugs in Milan in the 70s. Filomena is only 24 years old and recounts with a lucidity that takes her breath away her journey as a child locked up in boarding school, ran away from home, taken back by her family and treated as a lost woman. She talks about her marriage to a boy who emigrated to Germany, and her inability to adapt to this new situation. She narrates the arrival in Milan, the meeting with Antonio and the one with drugs. A dialogue for two voices traces the ruthless picture of drug addiction, the daily search for the dose and the attempts to get out of it. It is a poignant document, above all for the lucidity, measure, maturity and intelligence of two unforgettable figures.
The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.