Binge!

06263(th)

A young woman buys a secondhand film camera with leftover film inside. She and her boyfriend take it out to shoot photos at an abandoned building. When they develop the film, they notice mysterious traces appearing in their photos.

Autopsy Room Four(en)

An executive recalls how he may have ended up going from his golf game to an autopsy room.

Canta Santiago(en)

A young mariachi faces his first performance alone but discovers his brother has always been by his side.

Tide Pools(en)

The sun rises over the tide pools of coastal Maine.

A Flower(en)

Somewhere between the mountains and valleys a small autumn flower bloomed.

Paris exposition films(xx)

White’s camera offers several 360-degree pans of views of the fairground, then amazes by tilting up and down the Eiffel Tower, and concludes with a stunning tracking shot to the highest point above Paris. Exhibitors freely grouped films into nascent narratives such as those displayed here. - Bruce Posner

Crusts(en)

A coming-of-age story about the first time you act against your true nature. Inspired by the old wives tale - eating the bread crusts makes your hair go curly - Paris explores and her relationship with her crusts, her best friend, and her hair.

City with Dreams of the Sea(xx)

Short film of a general landscape about the saturation of the city. 35mm.

On Air(en)

A broadcaster goes on the air for one last time.

Bye Storm(en)

Fleeting moments of connection.

Estelar(pt)

In this animation that blends 35mm film illustration, digital art, cartoon, collage, computer graphics, and generated imagery, a dwarf comet crosses galaxies in search of its lost companion until it reaches the limits of its reality.

Exposure(en)

Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.

HŏSa(xx)

Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.

火藥, burn my eyes(es)

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

The Chill of Loneliness(en)

Two people attempt to connect over a great distance.

if you seek amy(xx)

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

i'm 22 now but i won't be for long(en)

Made primarily using 35mm black & white stills film, which was developed and scanned at home, the film explores themes of memories, nostalgia, and our relationship to still and moving image and how those two mediums differ in regards to how we process the passing of time.

Celebrations at Cousiño Park(es)

Los Funerales del Presidente Montt(es)

The Man in the Upper Room(en)

In a darkened booth high above the audience, a lone projectionist threads reels of 35mm film through a machine older than many who come to watch. The Man in the Upper Room is a one-day documentary that captures the sacred solitude of one of cinema’s last keepers. Shot in a single 24-hour period, the film is both a portrait and a meditation: on ritual, on the fragility of tradition, and on the quiet hands that keep the magic alive. As theaters shutter and celluloid vanishes, this intimate story asks a simple question: why does it still matter to gather in the dark and let light tell us who we are?